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New Podcast! Scannain Podcast (2019) #24!

It’s time for the Scannain podcast!

This week, I join Jay Coyle and Grace Duffy to discuss what we watched, the week in film news, the top ten and the new releases. Grace has watched ThievesMissing and My Own Private Idaho. Jay has watched A Day in the Country, Without Name, Craig’s Wife, The Loved Ones and One Sings, The Other Doesn’t. I have watched The Dark Knight Rises, Sanjuro and Lone Wolf and Cub in Sword of Vengeance. There is also an extended discussion on the merits (or lack thereof) of Batman Forever.

In terms of film news, the Galway Film Fleadh continues to roll out announcements – including its slate of masterclasses and an unexpected Cagney and Lacey celebration with Tyne Daly. The IFI is hosting a number of seasons in July – one celebrating the work of Robert Bresson and also the annual Family Festival. Meanwhile, the Lighthouse and Palais Galway are hosting a season of coming of age favourites.

The top ten:

  1. Late Night
  2. John Wick: Chapter III – Parabellum
  3. Detective Pikachu
  4. Diego Maradona
  5. Godzilla: King of the Monsters
  6. X-Men: Dark Phoenix
  7. Rocketman
  8. The Secret Lives of Pets II
  9. Men in Black International
  10. Aladdin

New releases:

You can listen to the podcast directly here.

 

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Non-Review Review: Without Name

This film was seen as part of the Audi Dublin International Film Festival 2017.

Without Name is a stunningly confident theatrical debut from director Lorcan Finnegan.

In theory, Without Name belongs that long-standing environmental horror genre, the fear that nature exists in opposition to mankind and that human beings are ultimately a hostile species not welcome in their surroundings. There are all manner of variations in that classic horror set-up, but it bubbles through any number of classic horror films, from The Shining to Jaws to The Birds. There is a recurring fear that the world is not a welcoming place for mankind, and that the wilderness might one day rebel against mankind’s desire to tame it.

If you go down to the woods today...

If you go down to the woods today…

Without Name takes that familiar premise and puts a uniquely Irish spin on it, distinguishing its own set of anxieties from those felt by the European Settlers in the United States or even those disconnected from their pagan roots in the United Kingdom. Without Name draws heavily upon the Western European pagan spirituality that informs films like The Wicker Man or A Field in England, but weds it to unique Irish anxieties about property and ownership that reflect both long-standing uncertainties and modern fears.

The result is a delightfully weird little environmental horror that feels very much of its time and place, a credit to its first-time director.

Sleep well...

Sleep well…

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