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Non-Review Review: We’re the Millers

We’re the Millers is a fairly humorous premise extended well past breaking point. The basic set-up (a bunch of strangers pretend to be a family to smuggle drugs into the United States) is a solid enough starting point for a comedy, but We’re the Millers often feels like it’s running on fumes trying to stretch the gag out. There are long lulls of the film where nothing seems to happen, and entire subplots that seem grafted in simply to eat up precious minutes. Does the film really need a teenage romance subplot?

We’re the Millers has a few hilarious moments, and Jason Sudeikis and Jennifer Aniston have enough charm that it’s never too painful to watch, but the film’s extended runtime means that its cynical premise can only maintain its wry thrust for so long before it’s brought down to Earth by the oppressive weight of sentimentality. For a film that starts out cheeky and subversive, the movie meanders into sappy and cheesy territory with considerable speed.

Family fun...

Family fun…

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Non-Review Review: Wild Bill

Wild Bill is the charming directorial debut from veteran character actor Dexter Fletcher. The established actor, who has worked on projects as diverse as Band of Brothers, Press Gang and The Three Musketeers, also wrote the screenplay for this slightly quirky British domestic drama, which sees an absentee father fostering an emotional connection with his abandoned kids. It’s a fairly conventional plot, and Fletcher doesn’t cram too many surprises in there, but the movie is wry enough and has a thinly-cynical exterior that makes the pill easy enough to follow. It’s not  quite a masterpiece, but it’s engaging and diverting enough to leave a pleasant impression.

Wild at heart...

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