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Star Trek: Deep Space Nine – Vortex (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

Something very interesting happens in the second half of Star Trek: Deep Space Nine‘s first season. It seems like the writers and producers are making a conscious effort to develop the show’s characters, themes and the world that these inhabit. Plot threads are hinted at, only to be left dangling. Ideas are broached, and tucked away for another day. Given that Star Trek: The Next Generation waited until the third season to broach serialisation in Sins of the Father, the approach taken here is quite striking.

These three episodes are more notable for what they set up rather than what they actually accomplish on their own terms. These adventures lay groundwork, or at least hint at laying groundwork, that will pay off throughout the show’s extended seven-year run. Okay, not exactly. There are some redundant elements here that never actually pay off, but Vortex, Battle Lines and The Storyteller all play into the show’s bigger story arc, even if it seems the writers aren’t entirely sure what those story arcs are.

It's murky out there...

It’s murky out there…

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The Spirit Archives, Vol. 13 (Review/Retrospective)

With Eisner now back on the strip for over half-a-year, The Spirit is forging ahead into the middle part of its run. Many commentators and pundits would argue that the few years following Eisner’s return from military service were among the best in the strip’s history, and it’s hard to disagree. While Eisner took the time in his first six months to tidy up loose ends – killing the Squid, sending Satin home with a daughter – here we see the creator building up the world he has created. This collection includes the strips introducing (and a number of subsequent appearances from) both P’Gell and the Octopus, arguably two of the most important characters introduced into the strip following the Second World War. There’s also a sign that Eisner is branching out a bit, and pushing the strip out from the shadow of the Second World War. After all, a new era of prosperity and a Cold War were both just around the corner, very fertile ground for the creator to explore.

A banner year?

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