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Star Trek: The Next Generation (DC) Annual #2 – Thin Ice (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Riker is a character caught between a rock and a hard place. According to the series bible, Riker was imagined as one of the “dual lead characters” for the show and clearly envisioned as an impulsive and brilliant Kirk to Picard’s more rational and stoic Spock. However, it didn’t quite work out that way, for a number of reasons. For one thing, the writing on the early years of Star Trek: The Next Generation tended to be a bit more sterile and bland, so Riker was never really allowed to step too far out of Picard’s shadow.

Instead, we got lots of characters talking about how ambitious Riker was, without seeing it for ourselves. It’s implied that Riker’s career led him to separate from Troi, something Peter David ran with in Imzadi. Everybody is constantly telling everybody else how Riker desperately wants to be a starship commander. And yet, when it come to the actual characterisation of Riker on the show, none of this shines through.

Due to the constraints imposed on the early years, interpersonal conflict was impossible in early Next Generation scripts, putting Riker in a paradoxical position as a character. We’re repeatedly told how ambitious and career-orientated he is, but none of that shines through.

Dead space...

Dead space…

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The Spirit Archives, Vol. 13 (Review/Retrospective)

With Eisner now back on the strip for over half-a-year, The Spirit is forging ahead into the middle part of its run. Many commentators and pundits would argue that the few years following Eisner’s return from military service were among the best in the strip’s history, and it’s hard to disagree. While Eisner took the time in his first six months to tidy up loose ends – killing the Squid, sending Satin home with a daughter – here we see the creator building up the world he has created. This collection includes the strips introducing (and a number of subsequent appearances from) both P’Gell and the Octopus, arguably two of the most important characters introduced into the strip following the Second World War. There’s also a sign that Eisner is branching out a bit, and pushing the strip out from the shadow of the Second World War. After all, a new era of prosperity and a Cold War were both just around the corner, very fertile ground for the creator to explore.

A banner year?

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