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Non-Review Review: Route Irish

Ken Loach’s Route Irish is a fascinating little thriller, even if it does ultimately feel quite shallow and end in a rather unsatisfactory manner. Indeed, it’s very hard to construct a mystery where the audience already knows the answer, based on experience within the genre. Framed as an investigation into the death of a contractor in Iraq, the culprits behind the assassination are obvious from the moment the film starts rolling, which means that none of the twists and turns pack any punch – because we already know the answer. However, Loach is a director skilled at offering atmosphere and mood, and he makes a valiant effort to overcome the script’s rather obvious deficiencies.

Paying the ferryman...

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The Criterion Criteria: Why Are Criterion Blu Rays Region Coded?

The Criterion Collection is incredible – it really is the ideal back-catalogue for anybody who considers themselves a fan of good cinema well-presented. The company basically releases top-of-the-line DVD and blu ray collections of old and new films, each presented with the greatest of care, and with a wealth of special features, often including director’s cuts, in-depth documentaries, essays and other treasures. Hell, the company’s laser-disc division invented the notion of a “commentary”, producing one over their release of the classic King Kong. I am a fan, as I think that any cinephile is a fan. That said, I was shocked to read of a rather disturbing development: Criterionhave region-coded their blu ray releases. I understand the idea of region-coding, but this really seems like a strange case.

It's a monstrous injustice... (Godzilla, #594)

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Non-Review Review: The American

The American is a slow-moving introspective film. Director Anton Corbijn seems to be trying to evoke Sergio Leone, with the story of an American hired gun lying low in a small Italian village. Slow-moving and subtle, The American feels quite meditative for most of its runtime, although it does occasionally seem almost comatose. Still, George Clooney makes for a convincing leading man, adding a great deal of depth to an archetype we’ve seen countless times before. While it’s a little too slow for its own good, it’s never less than beautiful and often fascinating.

Beautifully shot...

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Non-Review Review: The Ides of March

It’s very hard to make a movie about politics without feeling a little bit forced – as if you’re shoehorning in a particular viewpoint or an ideology, setting up strawmen for the movie to bulldoze over on the way to the final scene. It’s to director (and actor) George Clooney’s credit that The Ides of March manages to avoid seeming too preachy or too staged, instead opting to comment on the nature of political integrity, rather than accusing specific ideologies of having it or lacking it. Set within a Democratic Presidential Primary, the movie shrewdly avoids focusing on an ideological or political gap, instead contemplating the harsh realities of any political maneuvering.

Are the gloves coming off?

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Non-Review Review: Casino Jack

Casino Jack boasts a superb performance from Kevin Spacey in the lead role of Jack Abramoff. Unfortunately, that’s about it. I don’t mean that Casino Jack is a bad film, by any means, it’s just a purely functional one. It manages to take a bunch of interesting elements – a timely political plot, a bunch of fascinating supporting performances, a compelling lead character – and do absolutely nothing with any of them. Despite the rather wonderful potential to tell a parable for our time, the script is formulaic and bland, with nothing by the way of insight.

Jacked up...

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Non-Review Review: Patriot Games

Truth be told, I think Patriot Games stands as one of the best American spy movies produced in the last thirty or so years. It helps that it has, for my money, one of the great leading actors in Harrison Ford, but I also think it works because it tries to explore something of how the American espionage services work, while functioning as a thriller in its own right. It’s easy to reduce the American intelligence agencies to mere window-dressing in a conventional action movie, or to heavily politicise the organisations as part of a political drama, but I think Patriot Games works best because it’s a spy movie that actually feels like it’s a thriller about the intelligence gathering community.

Family man or Company man?

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Tintin: The Shooting Star (Review)

In the lead-up to the release of The Adventures of Tintin: The Secret of the Unicorn, I’m going to be taking a look at Hergé’s celebrated comic book character, from his humble beginnings through to the incomplete post-modern finale. I hope you enjoy the ride.

It’s very strange to return to material you read as a child. Occasionally – as when reading King Ottokar’s Sceptre – you find a lot more than you remember. However, reading The Shooting Star, I was quite surprised to find the more surrealist elements I so strongly recalled – foreshadowed by the giant mushroom on the cover and the not-so giant spider on the telescope – were pretty much confined to the last ten pages of the adventure. Reading it again, I was incredibly impressed with the atmospheric opening scenes and the wonderful race to the fallen meteorite, both elements downplayed in my memory to giant apples and exploding mushrooms. It’s things like this that make me glad I decided to revisit the series for the occasion.

Tintin scopes out the observatory...

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Tintin: Tintin in America (Review)

In the lead-up to the release of The Adventures of Tintin: The Secret of the Unicorn, I’m going to be taking a look at Hergé’s celebrated comic book character, from his humble beginnings through to the incomplete post-modern finale. I hope you enjoy the ride.

Tintin in America was the earliest Adventures of Tintin book I read as a child, and I owned the entire collection from this point on (for obvious reasons, Tintin in the Land of the Soviets and Tintin in the Congo were not recommended childhood reading). That said, I’ve always regarded Tintin in America as one of the weaker entries in the series, perhaps because my childhood imagination yearned for something relatively more exotic than a trip to North America, or perhaps because the saturation of American pop culture made all the elements Hergé was spoofing seem like old hat. I’m not entirely sure, but I have to admit that the story hasn’t improved too much on re-reading.

America, %&#! Yeah!

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Non-Review Review: Too Big To Fail

I’ll admit to being quite impressed with the work HBO have done of late. I’m not so much talking about their production of some of the finest drama on television, but instead talking about the fantastic job they’ve done in bringing original drama to life inside the format of television movies. There was a time that television movies were mocked and frowned upon, something of a guilty pleasure rather than an artform to take seriously, but HBO has done a rather sterling job of late, producing films like The Special Relationship, which I thought might have supported even a small-scale theatrical run. Too Big To Fail is just as good, if not slightly better – focusing on the United States financial collapse of 2008, it brings together an all-star cast under a fantastic director to offer a movie that is far more interesting and compelling than any drama based on number crunching really ought to be.

Bringing the Hurt...

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Absolute Planetary, Vol. 1 (Review)

With Wildstorm being officially folded into the relaunched DCU (the “DCnU”), I thought I might take a look at some of the more successful and popular Wildstorm titles that the company produced. In particular, Planetary, the which will apparently inspire Paul Cornell’s Stormwatch – easily one of my more anticipated titles of the relaunch.

Planetary, as imagined by Warren Ellis and John Cassidy charts “the secret history” of the fictional Wildstorm Universe, as we follow a team of pulp archeologists attempting to uncover “what’s really been going on this century.”As such, it provides Ellis and Cassidy a chance to dig around and play in the pop culture of the twentieth century, celebrating concepts and ideas as diverse as Japanese monster movies, Hong Kong revenge actioners and American pulp heroes, all with more than a hint of nostalgia and affection.

Strange ways...

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