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The Adventures of Tintin: Prisoners of the Sun (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

When I was younger, I used to love The Adventures of Tintin because they’d transport me to far away places, and give me a chance to see environments and cultures that I wouldn’t get to see until I was much older, if ever. As such, the period of Hergé’s writing that appealed to me the most as a younger was the fantastical segment that covered the author’s work during an immediately after the Second World War. I wasn’t old enough to appreciated the political commentary and satire of stories like The Broken Ear or King Ottokar’s Sceptre, and I was mature enough to fully enjoy the reflective nature of the stories from The Calculus Affaironwards.

A little tied up...

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The Adventures of Tintin: The Seven Crystal Balls (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

I’ve always had a soft spot for The Seven Crystal Balls and Prisoners of the Sun. When I was younger, originally watching the show and reading the books, they were my favourite adventure, along with Cigars of the Pharaoh. Perhaps it was the exotic nature of the adventure, with Tintin setting off to far-off ports, or the fascinating occult and unexplained elements. I found it somewhat fascinating the Spielberg chose to make The Secret of the Unicornas his first film, since he makes the case that Tintin is a hero who shares a lot with Indiana Jones. I’d make the case that this adventure here is the one that most perfectly captures the strange occult vibe that Lucas and Spielberg tried to recreate with their whip-weilding explorer.

Not quite the boy scout he used to be...

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The Adventures of Tintin: Red Rackham’s Treasure (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

It’s quite strange, given how lukewarm I was to The Secret of the Unicorn, that I am undeniably fond of Red Rackham’s Treasure. At a time when Hergé seemed to be aiming for fantastic escapism, perhaps to avoid dealing with wartime reality, I think that Red Rackham’s Treasure perfectly encapsulates a lot of what was fun about Tintin, at least for my inner child. There’s hidden treasure, untouched tropic islands, walks along the ocean floor, submarines and even a shark attack! It’s all very light and whimsical, but it’s pure adventure all the way through, with a giddy enthusiasm sustaining the narrative.

Pushing the boat out...

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The Adventures of Tintin: Tintin in America (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

I remember catching a few of the animated Adventure of Tintin when I was smaller, and really enjoying them. They were a series produced to adapt Hergé’s stories into easy-to-digest half-hour instalments for kids. Naturally, the early adventures (Tintin in the Land of the Soviets and Tintin in the Congo) weren’t deemed suitable for this form of adaptation, so the series jumped right in with the third entry in Hergé’s long-running saga. Which is grand, because I started reading The Adventures of Tintin with Tintin in America.

Tintin gets animated!

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Non-Review Review: Speed

Pop quiz, hotshot. There’s a bomb on a bus. Once the bus goes 50 miles an hour, the bomb is armed. If it drops below 50, it blows up. What do you do? What do you do?

– Howard tells you everything you need to know

Speed is the quintessential nineties action movie. If you want to look at a movie that typifies what a nineties action film looked like, but does so with an incredible amount of skill (and a reasonable portion of wit), it’s hard to recommend a more obvious choice. It’s a movie that falls apart if you think about it too hard, but director Jan de Bont does an absolutely amazing job making sure that we’re never really looking beyond the next ridiculous plot twist or tension action set piece. More than earning its name, Speed is a movie that runs on enough raw adrenaline that it becomes as easy to overlook the movie’s flaws as it is to it seems to be ride a bus across a fifty-foot gap in a half-constructed bridge. And de Bont manages to make that look really easy.

Can I phone a friend on this "pop quiz"?

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Non-Review Review: Happy Feet II

Happy Feet II is perfectly functional kids entertainment. It has enough set pieces to keep the audience ticking over, lovely animation and a timely environmental message underneath the fuzz. It is a little bit too inconsistent to hold the attention of older audience members, as the plot struggles to find a focus, with the movie often seeming like a stew brewed from a variety of different ideas. The result is often satisfying enough in small chunks, but it doesn’t impress enough overall to make a lasting impression. Although a younger, perhaps more idealistic, viewer at the screening did describe it as “the bestest experience in united history.”

The pitter-patter of little Happy Feet...

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Non-Review Review: Machete

I really liked Machete. It sounds strange from somebody who was relatively unimpressed with Robert Rodriguez’s contribution to Grindhouse, the lackluster b-movie throwback Planet Terror. I think that Machete works because it’s considerably more obvious in its humour, while still walking through a fairly conventional “exploitation” plot. Although the storyline and characters could easily have come from some dingy shot-on-video-camera b-movie, Rodriguez seems somewhat clearer in his parody here, as if he’s making an intentionally hilarious film, rather than merely trying to create the sense of an unintentionally hilarious film. I think it really works, because it’s everything a film like this should be: it’s gleefully silly, ridiculously violent, hilariously “relevent”, and presented in an insanely over-the-top manner.

Machete don't fold...

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The Doctor Is In? Is Doctor Who “Too British” For American Audiences?

Well, it’s been about a week since the news broke that David Yates would be directing the new Doctor Who movie, being produced by the BBC, aimed at American audiences. Perhaps Steven Moffat’s rumoured commentary was perfectly apt: it seems that neither the director nor the studio have any idea what exactly they are planning, and the announcement might have been more than a little preemptive. There’s a lot of chatter out there about what this means for the television show, which is rumoured to be running severely over-budget and under pressure from the BBC executives. Because, you know, it’s not like the show makes enough to justify its costs.

I don’t know if this means potential cancellation or a reboot after the fiftieth anniversary, or even if the show and the movie will run alongside in two distinct continuities (and people said Moffat’s “timey-wimey” plots were too complicated!). Being entirely honest, I’m not sure if Yates knows either. However, something does fascinate me about this. Bringing Yates on-board represents a vote of confidence, suggesting that Doctor Who could be somewhere in the region of “Harry Potter” success stateside.

I can’t help but wonder if Doctor Who is simply “too British” for mainstream American audiences, and if launching a movie franchise to appeal to the demographics will be able to keep the core of the character and the show, while courting North American movie-goers.

States of play?

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Non-Review Review: Clue

Clue is an interesting movie. It’s an obviously flawed one, but it’s also conducted with such impressive energy and a cheeky sense of fun that it’s quite easy to overlook some of the structural problem, and rather glaring plot holes. It’s an affectionate parody of those classic “whodunnit” mysteries, stories like Agatha Christie’s Ten Little Indians, featuring a small cast trapped together, investigating a murder. Based on the game Clue (or Cluedo to us Europeans), it’s the first movie based on a boardgame, and I can’t help but feel that it’s still the best.

The usual suspects...

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Non-Review Review: Moneyball

I know nothing of baseball. Unlike the other great American sporting pastime of American Football (or, I guess, “football” to them), I simply can’t wrap my head around the activity, which seems (to me) to be a strange mix of rounders and the imaginary “whack bat” from The Fantastic Mr. Fox (which was undoubtedly intended as a parody of cricket, to mix my metaphors even further). It takes a lot for me to invest in a movie about an activity that I can barely comprehend, and Moneyball accomplishes that, by managing to craft one of the most telling and relevent sporting movies I’ve seen in quite some time. I think the film does struggle to establish an emotional connection, but it’s a very clever and very intriguing little movie.

Field of dreams...

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