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Batman: Son of the Demon (Review/Retrospective)

Posted on July 18, 2012 by Darren

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

To celebrate the release of The Dark Knight Rises this week, today we’ll be reviewing the complete “Demon” trilogy, exploring the relationship between Batman and Ra’s Al Ghul.

Son of the Demon is an interesting graphic novel. Written by Mike W. Barr and illustrated by Jerry Bingham, it occupies a strange place in the Batman canon. A story in which Bruce allies himself with his old enemy Ra’s Al Ghul and marries the villain’s daughter, Talia, the story was all but forgotten for years until Grant Morrison unearthed it for his Batman run, reuniting Batman with the child fathered in this story. Son of the Demon has an intriguing premise, even if Barr’s execution feels a little clumsy and overwrought, and it makes for an interesting exploration of some of Batman’s deeper facets.

He shall become a bat…

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Filed under: Comics | Tagged: Al Ghul, batman, Batman: Son of the Demon, Bruce, caped crusader, christian bale, Christopher Nolan, Dark Knight Rises, DarkKnight Rises, Jerry Bingham, Jesus, Lazarus Pit, Mike W. Barr, ra's al ghul, Talia, Talia Al Ghul, United States | Leave a comment »

Non-Review Review: Rushmore

Posted on July 5, 2012 by Darren

I am quite fond of Rushmore. It’s strange, because I found that Anderson’s schtick wore off on many of his following films – The Royal Tenenbaums, The Life Aquatic With Steve Zissou, The Darjeeling Limited. I suspect my affection for the film is rooted in the fact that it was the first Wes Anderson film I ever saw, and so his quirks and style were refreshing to me. There is, after all, nobody who writes movie dialogue and directs scenes quite like Wes Anderson. In a way, he feels a bit like Quentin Tarantino, an autuer who seems to sign almost every frame of his work. I think, perhaps, that I am so partial to Rushmore because Anderson’s plot devices and his writing seem much better suited to it than to many of the films that followed. After all, it’s a lot easier to accept a film based around a character who acts like an emotionally immature teenager when that character is an emotionally immature teenager.

It all goes to the Max…

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Filed under: Non-Review Reviews | Tagged: Anderson, Bill Murray, film, Grover Cleveland, Jason Schwartzman, Life Aquatic With Steve Zissou, Moonrise Kingdom, Mount Rushmore, Movie, non-review, Olivia Williams, Owen Wilson, Oxford, review, Royal Tenenbaum, Rushmore, Sorbonne, The Life Aquatic with Steve Zissou, United States, wes anderson | Leave a comment »

Non-Review Review: The Peacemaker

Posted on July 3, 2012 by Darren

It’s interesting to look back at George Clooney’s early road to movie stardom. Indeed, the actor’s first leading roles seem like movies that really should have been star-making turns, but just weren’t. There’s obviously his portrayal of Bruce Wayne in Batman & Robin, a performance not quite as bad as the film around it, but there’s also his roles in films like The Peacemaker. The Peacemaker also was the first film released under Spielberg’s Dreamworks company, and it’s hardly an auspicious début. It’s not that The Peacemaker is a bad film. It’s a very well made, and the production values are excellent.

However, the problem is the premise itself, the plotting, the pacing and the script. The Peacemaker feels like it really wants to be a Tom Clancy thriller, and it really wants us to accept George Clooney as a more dynamic Harrison Ford. Unfortunately, it feels like all the plot points, characters and motivations all came second-hand. There isn’t one thing here that hasn’t been done before, and done better, and those parts aren’t even assembled in an especially original way.

The name’s Clooney. George Clooney.

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Filed under: Non-Review Reviews | Tagged: Americans, Barack Obama, batman, Cold War, george clooney, Goran Višnjić, harrison ford, history, Imperial Russian Army, Mimi Leder, National Security Advisor, nicole kidman, non-review review, Peacemaker, review, Soviet Union, Twentieth Century, United States | 3 Comments »

Batman: The Dark Knight Archives, Vol. 1 (Review/Retrospective)

Posted on July 2, 2012 by Darren

I figured, what with Christopher Nolan releasing the final part of his Batman trilogy this month, it might be worth going back and taking a look at the early days of the Dark Knight. DC have done a rather wonderful job collecting classic material featuring their iconic heroes as part of their “Archives” line, a line that seemed to have died last year, but I am very glad to see undergoing a resurgence. The idea is that each archive edition collects roughly a year’s worth of classic comics. The premium format pays for the restoration of the material, with DC then making it available in more cost-effective packaging, like their paperback “Chronicles” line that collects every appearance in order, or their “Omnibus” line, which collects larger chunks.

Batman: The Dark Knight Archives, Vol. 1 doesn’t collect Batman’s very first appearance in Detective Comics. However, it does collect the first four quarterly publications of his self-titled Batman comic book in 1940, each collecting several stories of Batman’s crusade against crime.

Batman Begins in six panels…

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Filed under: Comics | Tagged: Amazing Spider-Man, batman, Batman: Dark Detective, Bob Kane, Bruce, Christopher Nolan, ChristopherNolan, dark knight, dark knight returns, Dark Knight Rises, detective comics, gotham city, Harley Quinn, jack kirby, joker, Kane, Lego, murder, Oliver Twist, Recreation, robin, Spirit, stan lee, United States, Will Eisner | 3 Comments »

Non-Review Review: Broadcast News

Posted on June 27, 2012 by Darren

Broadcast News feels like it has lost a bit of its bite as the years went on. Originally released fifteen years ago, it undoubtedly seemed like a prophetic commentary on trends in news media, voicing an understandable unease at the line blurring between merely reporting the news and “selling” it to an eager and unquestioning population. Back then, these trends were undeniably present and one could sense a none-too-subtle shift in the approach to news. Unfortunately, it looks like those trends are to stay, and I think that has aged Broadcast News considerably. It doesn’t feel like James L. Brooks’ telling media satire is attacking a coming change so much as it is making one last stand against it. It’s still a very clever, very powerful and very well put together piece of film, but it sadly feels like it’s fighting a battle lost long ago.

That, perhaps, makes Broadcast News the most depressing comedy I’ve seen in quite some time.

They let an Tom, Dick or Harry host the news…

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Filed under: Non-Review Reviews | Tagged: Aaron, Aaron Sorkin, Albert Brooks, Blair, Broadcast News, Brooks, film, fox news, hbo, holly hunter, James L. Brooks, Jane, Journalist, Movie, news media, Newsroom, Nuclear disarmament, review, Television, Tom, United States, white house, william hurt | Leave a comment »

Captain America: The New Deal (Review/Retrospective)

Posted on June 27, 2012 by Darren

Oh, God — How could this happen here?

– Steve Rogers, Captain America #1

It seemed inevitable that Captain America would have to respond to September 11th. After all, the terrorist atrocities were an attack on the American way of life, and the iconic superhero was perhaps the hero best equipped to explore the scars left by the still-recent attacks upon the American psyche, much as his Secret Empire plot allowed him to respond to the Watergate Scandal. Unfortunately, John Ney Rieber’s work on the character is – while well-intentioned – clumsy, awkward, groan-inducing and cliché-ridden. Even the fantastic artwork of John Cassaday cannot salvage the run from its own tired and trite pseudo-philosophical ramblings.

Subtle.

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Filed under: Comics | Tagged: Avenger, brian michael bendis, captain america, captain america: the first avenger, Dresden, ed brubaker, frank miller, god, john cassaday, john nay rieber, john ney rieber, joss whedon, MarvelUniverse, New York City, Osama bin Laden, Secret Empire, september, Steve Roger, steve rogers, terrorism, United States, Watergate Scandal | 2 Comments »

Non-Review Review: Take Me Home Tonight

Posted on June 22, 2012 by Darren

There’s something strangely charming about Take Me Home Tonight. I say “strangely” because I’m not blind to the movie’s many awkward flaws. I can spot the predictable plotting, the douchebag entitled protagonists and the shallow “high school crush” romance. None of these are any less conventional than the plot’s attempt to conceal saccharine romanticism with cheap lowbrow humour. I can see those problems with the film, but for some reason I think it works well in spite of them. I think the strongest aspect of Take Me Home Tonight is not the eighties setting (though that helps), but the sense that Topher Grace may have finally found his niche.

We can dance if we want to…

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Filed under: Non-Review Reviews | Tagged: art, Art of War, arts, Book of Five Rings, Chinese, Dan Fogler, Eddie Brock, film, literature, Michael Biehn, Movie, non-review review, review, Sun Tzu, SunTzu, Take Me Home Tonight, Teresa Palmer, tobey maguire, topher grace, United State, United States, Washington D.C., World Literature | Leave a comment »

Chernobyl Causes: At What Point Exploitation?

Posted on June 21, 2012 by Darren

This week sees the release of The Chernobyl Diaries, a horror film from producer Oren Peli, the filmamker who gave us the superb Paranormal Activity. However, I can’t help wonder if it is a little “too soon”for a horror based around the nuclear disaster that occurred in the Ukraine in 1986. It has been over a quarter of the century since disaster occurred, and yet I’d be lying if there wasn’t a faint sense of exploitation around the film, which sees a bunch of kids (American, naturally) touring the site of the catastrophe and uncovering all manner of unpleasantness. Still, it isn’t the only exploitation horror ever made, and I can’t help but wonder when a subject is or isn’t fair game.

Real-life horror…

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Filed under: Movies | Tagged: Chernobyl, Chernobyl disaster, ChernobylDiaries, Horror film, jack the ripper, michael bay, Nuclear reactor, Oren Peli, paranormal activity, Prypiat, Shane Van Dyke, Ukraine, United States | 4 Comments »

Non-Review Review: The Apartment

Posted on June 21, 2012 by Darren

The Apartment is a classic romantic comedy, and deservedly so. Reuniting director Billy Wilder with actor Jack Lemmon, it’s a wonderfully dysfunctional look at life in the big city, and the compromises the people find themselves forced into. While I think the movie probably works better as a romantic drama than as a comedy – with some outstanding moments of bleakness, including a serious suicide attempt and another false alarm towards the end – Wilder and Lemmon do an exceptional job keeping the movie just light enough that the darker elements don’t overwhelm the film. It is a piece of cinematic history, and one that holds up as well today as it ever did.

The neighbours were wondering about the racket…

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Filed under: Non-Review Reviews | Tagged: Academy Award, Academy Award for Best Supporting Actor, Apartment, Billy Wilder, film, Glengarry Glen Ross, Greyhound Lines, Jack Lemmon, Karachi, kevin spacey, Lemmon, Metro Areas, Mississippi, Movie, Natchez Mississippi, new york, New York City, non-review review, Pakistan, review, Shirley MacLaine, Social Security number, the apartment, the apartment (1960), Times Square, United States | 4 Comments »

The House at the Abbey Theatre (Review)

Posted on June 18, 2012 by Darren

Tom Murphy’s The House is big play with some clever ideas, but not quite enough to fill its somewhat extended run time. In fact, the first half of the play, as Murphy tries to settle into his groove, seems to run nearly forever – to the point where, sitting in my seat, I was starting to wonder if the actors had simply forgotten there was supposed to be an intermission. The second half, however, is much stronger and much more tightly focused. While the production itself is nothing less than impressive, one wonders if an editor might have been well-suited to take a hacksaw to Murphy’s script, or perhaps director Annabelle Comyn might have cut down on the staring into middle-distance.