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X-Men: Schism (Review)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

X-Men: Schism is a game-changer. It’s an attempt to realign Marvel’s X-Men line, a series of books that have faltered in recent years. After all, events like Messiah Complex and Second Coming couldn’t propel the line back to prominence, so Schism feels like a manifesto. Collecting the main series written by Jason Aaron, and the X-Men: Regenesis one-shot written by Kieron Gillen, it represents the most recent attempt to bring the some sense of life and purpose back to the X-Men books, which have been increasingly overshadowed by Marvel’s Avengers publishing line. And, to be frank, I can’t help but think that Schism works pretty well as an attempt to brush away the recent past and carve out a new and exciting future.

The hand of fate…

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X-Men: X-Cutioner’s Song (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

In a way X-Cutioner’s Song marks a fairly significant turning point in the history of the X-Men franchise. The X-Men books were in a state of turmoil. They had lost their long-term writer Chris Claremont only recently, and Jim Lee had departed to work on other projects. The central theme of the books – exploring prejudice and racism – looked to be losing steam slightly as South Africa’s apartheid regime collapsed and the country developed into a truly democratic state. It seemed like the books were struggling to cope with all these changes occurring so rapidly, and X-Cutioner’s Song reads like an attempt to assert control on the franchise – as if to assure readers that everything was okay and it was business as usual.

They're playing our song!

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X-Statix Omnibus by Peter Milligan & Mike Allred (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

There’s been a lot written about how fiendishly clever Peter Milligan and Mike Allred’s X-Statix was when it was published by Marvel in the early part of the last decade. Spanning two titles (beginning in X-Force and then spinning into its own title in X-Statix), it offered a forty-issue re-examination of the core X-Men thesis. Published at approximately the same time, it actually serves as something of a spiritual companion to Grant Morrison’s equally controversial, challenging and provocative New X-Men run. Both series dared to consider that Chris Claremont’s once revolutionary idea, casting mutants as a feared minority because they were inherently “different” might need revision in the early years of the twenty-first century. Both series have been attacked by critics for not conforming to the model that Claremont designed for the franchise three decades earlier. However, I’m going to be controversial, and I’m going to state that both Morrison and Milligan were more faithful spiritual successors to Claremont than any X-Men writers since the nineties.

Nobody’s Doop…

Note: You can read my review of Milligan and Allred’s initial X-Force run, collected in the hardcover “Famous, Mutant & Mortal” here. This is a review of the recently-published omnibus, which collects all their work on the characters, so I won’t go into too much depth on that initial run.

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X-Men: Inferno – Excalibur (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

This weekend, we’re taking a look at one or two of the smaller Inferno crossovers. These issues are collected in the crossovers companion book.

It’s actually quite impressive to think of the mythology-building that Chris Claremont was responsible during his incredible run on Uncanny X-Men. The X-Men had, of course, been confined to reprints for years before Len Wein revived the concept in Giant-Sized X-Men #1, but Claremont guided Marvel’s merry mutants to the heights of success. I think it’s entirely appropriate that the first issue in his last arc, X-Men #1, remains the biggest-selling comic book of all time – cementing Claremont’s impact.

Even though many people would argue the X-Men only really exploded during the speculation bubble of the nineties, it’s remarkable just how much Claremont and his collaborators were expanding the line. By the end of the eighties, Uncanny X-Men had accumulated several satellite books. Of those, Claremont had the pleasure of working with renowned artist Bill Sienkiewicz on New Mutants, while Excalibur paired the scribe with Alan Davis, one of the most respected artists in the business.

What possessed them to come to New York?

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X-Men: Inferno – Fantastic Four (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

This weekend, we’re taking a look at one or two of the smaller Inferno crossovers. These issues are collected in the crossovers companion book.

I have to admit, one of the best things about these companion books collecting the tie-ins to mammoth crossovers like Acts of Vengeance or Inferno is that way that they seem to capture a particular moment in time. In the Inferno collection alone, you get a taste of Walt Simonson’s Avengers, Ann Nocenti’s Daredevil and Chris Claremont’s Excalibur. I will confess that I am woefully poorly versed in the history of The Fantastic Four, arguably Marvel’s “first family.” The issues collected here, for example, are my first sampling of Steve Englehart’s tenure on The Fantastic Four.

A good old fashioned death trap!

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X-Men: Inferno – Daredevil (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

This weekend, we’re taking a look at one or two of the smaller Inferno crossovers. These issues are collected in the crossovers companion book.

From what little I’ve read of Ann Nocenti’s Daredevil, I really like it. My experience of her work on the title has been mainly limited to crossovers and tie-ins, but Nocenti has always managed to put her own spin on events – rather than feeling like a satellite title to Mutant Massacre or Fall of the Mutants, her connected issues felt like Daredevil stories staring at a world gone completely mad. It’s a subtle distinction, but one that too few authors remember in this era of event-driven comics. Inferno is no different, as Nocenti manages to take a massive and unfolding X-Men crossover and make it work for her own narrative and characters.

This city’s really going to hell…

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X-Men: Inferno (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

I don’t like Inferno. There, I said it. There have been dry patches in Claremont’s Uncanny X-Men run before, and some would argue that his work following Inferno would be quite esoteric, but Inferno has always represented, to me at least, the creative low-point of Claremont’s Uncanny X-Men run. That doesn’t mean that I can’t appreciate it for what it is, or acknowledge the care with which the writer crafted it, but it is just too much of a big random mess to really enjoy it. It’s a disjointed crossover that resolves the long-running Madelyne Pryor mystery that Claremont had been weaving through the book, but also features demons and goblins for some reason. It’s just a great big mess.

There’s a Storm comin’…

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Fall of the Mutants: Uncanny X-Men (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Part of me does feel a little bit sorry for Chris Claremont. After all, his Uncanny X-Men run was trapped in a perpetual second act. He hadn’t introduced the franchise, inheriting it from a bunch of other writers and artists, and he couldn’t resolve it either. So, as a writer, Claremont was charged with keeping readers interested in an on-going narrative that spanned well over a decade. Occasionally, the writer would try to keep things fresh, and Fall of the Mutants represents just such an attempt. Trying to transition his team from one status quo to another, you have to give the writer credit for pitting the team against an enemy who is (effectively) God, even if it does make this chapter in his on-going saga the equivalent of Star Trek V: The Final Frontier.

United we fall…

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Fall of the Mutants: X-Factor (Review/Retrospective)

I’ll freely concede that I’m generally wary of Louise Simonson’s X-Factor. Her contributions to the Mutant Massacre were the weakest part of the crossover, and she didn’t exactly make Inferno an exceptionally readable event. While I can understand why some fans are fond of her writing, I’ve found the X-Factor I’ve read to generally be an awkward and heavy-handed attempt to emulate Chris Claremont’s patented soap opera stylings.

However, I will concede when I’m impressed, and Simonson has more than impressed me here. While I respect Claremont’s Uncanny X-Men tie-in to Fall of the Mutants more than I enjoy it, Simonson’s X-Factor feels like a much stronger offering, feeling like the book is really firing on all cylinders. Fall of the Mutants allows Simonson to bring all manner of plotlines to a head, tying together years of build-up into a fascinating, exciting and compelling pay-off. I have no qualms in suggesting that Simonson’s X-Factor is the highlight of this gigantic collection.

A wing and a prayer…

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X-Men: Mutant Massacre (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Mutant Massacre represents something of a minor game changer in the world of the X-Men titles that Marvel was producing. Originally proposed by Uncanny X-Men scribe Chris Claremont as a story to be told within that title, editorial seized upon the opportunity to connect their developing line of mutant titles, having each monthly issue of Uncanny X-Men, X-Factor and The New Mutants serve as a single chapter in an expansive storyline. It really was the first X-Men crossover, setting the template for dozens to follow over the coming decades from “thematic” crossovers like Fall of the Mutants to more straight-forward examples like Inferno or X-Tinction Agenda, or even ones that came long after Claremont like Messiah Complex or Second Coming. More than that, though, Mutant Massacre demonstrated the key attributes of Claremont’s rapidly expanding universe, reintroducing a sense of uncertainty and dread into the comics.

Tearing the X-Men to pieces…

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