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X-Men: Inferno (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

I don’t like Inferno. There, I said it. There have been dry patches in Claremont’s Uncanny X-Men run before, and some would argue that his work following Inferno would be quite esoteric, but Inferno has always represented, to me at least, the creative low-point of Claremont’s Uncanny X-Men run. That doesn’t mean that I can’t appreciate it for what it is, or acknowledge the care with which the writer crafted it, but it is just too much of a big random mess to really enjoy it. It’s a disjointed crossover that resolves the long-running Madelyne Pryor mystery that Claremont had been weaving through the book, but also features demons and goblins for some reason. It’s just a great big mess.

There’s a Storm comin’…

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Non-Review Review: GoldenEye

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

GoldenEye saved James Bond. Bond had wallowed in obscurity for six years by the time that Pierce Brosnan’s first appearance in the role was released. As a kid, James Bond was something that was dead to me. Sure, it came on television from time to time (mostly on holidays) and they filled up a shelf at the videostore, but I always felt like they were something that had happened in the past – like the original Star Wars movies, or any Star Trek films featuring Captain Kirk. Even though I lacked the sophistication to articulate it at the time, I think I felt that the entire James Bond franchise would be reruns for me. There was nothing new happening.

And then GoldenEye was released.

Brosnan is Bond...

And it meant business.

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