This February and March, we’re taking a trip back in time to review the fourth season of The X-Files and the first season of Millennium.
After Talitha Cumi, Herrenvolk cannot help but seem like a little bit of a disappointment.
Towards the end of the episode, the Alien Bounty Hunter hunts down Jeremiah Smith. Mulder begs for mercy, but the Bounty Hunter will hear nothing of it. “He shows you pieces, but tells you nothing of the whole,” the Bounty Hunter remarks to Mulder. It feels like that sentiment encapsulates Herrenvolk in a nutshell. Mulder goes on the run with Jeremiah Smith and sees a collection of vague but compelling things that may or may not tie into colonisation.

“Now you’re thinking, ‘I hope that’s shepherd’s pie in my knickers!'”
Like a lot of the mythology in the fourth and fifth seasons, it feels like a holding pattern. Talitha Cumi was surprisingly candid in its revelations. The aliens were plotting to colonise Earth in collaboration with the human conspirators. The date had been set, the plot was in motion. That was a pretty big bombshell, confirmed in unequivocal terms. It was arguably the clearest and most transparent that the conspiracy arc would ever be. There was a clear goal, a deadline, and a sense of purpose.
Almost immediately, Herrenvolk works to muddy the water. It stalls, it procrastinates, it delays, it evades. It is a plot structured around a collection of ominous conspiracy buzz words (DNA, smallpox, colonies, clones) without a clear purpose or objective.

A bloody mess…
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Filed under: The X-Files | Tagged: alien bounty hunter, aliens, bees, chris carter, cigarette-smoking man, colonisation, colony collapse disorder, conspiracy, DNA, fight the future, hegemony, herrenvolk, honey, humanity, inner space, invasion, jeremiah smith, marita covarrubias, misdirection, mr. x, mulder, mytharc, mythology, outer space, Smith, the x-files, the x-files: fight the future, x-files, x-files: fight the future | 1 Comment »
The X-Files – Home (Review)
This February and March, we’re taking a trip back in time to review the fourth season of The X-Files and the first season of Millennium.
Home is a big one.
It is an episode that is frequently ranked among the best that the show ever produced. It is an episode that many viewers remember quite clearly, even if they only saw it once years earlier. It was the first episode of the show to receive a viewer discretion warning on initial broadcast and was famously never repeated on the Fox Network. “It had one airing and then it was banned,” writer Glen Morgan quipped. “Jim and I don’t get rerun money for that.” It is also one of the rare episodes of The X-Files that is not explicitly paranormal in its subject matter, instead wandering into the macabre and the taboo.
Here there be monsters…
Home also marks the return of writers Glen Morgan and James Wong to the series, following the cancellation of Space: Above and Beyond. With the debut of Millennium looming, the production team on The X-Files was under pressure. Fox had convinced Morgan and Wong to return to Ten Thirteen in return for producing a pilot for The Notorious Seven, one the duo’s long-gestating ideas. Morgan and Wong would produce four episodes of the fourth season of The X-Files and three episodes of the first season of Millennium.
Home is the first of their four scripts for the fourth season of The X-Files, and it sets the mood quite well. Returning from Space: Above and Beyond, the two seemed to be bristling with an electric energy and a palpable frustration. While not all four scripts are unqualified masterpieces, they each serve to push The X-Files further than it has gone before. Perhaps the most surprising thing about Home is that it is the most conventional of these four explosive scripts.
The mother of all problems…
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Filed under: The X-Files | Tagged: commentary, family, fourth season, friday nights, Glen Morgan, home, horror, inbreeding, Incest, James Wong, kim manners, peacock, return, schlock, sheriff taylor, the peacock family, the x-files, viewer discretion, x-files | 3 Comments »