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New Podcast! Scannain Podcast (2018) #36!

It’s time for the latest Scannain podcast!

This week, I join Jason Coyle, Grace Duffy and Ronan Doyle to discuss the week in film. As usual, we talk about the top ten and the new releases, as well as what we’ve watched this week. In this episode, we discuss the appeal of Tony Scott’s (arguably) underrated late film Domino, which Jay claims as a cinematic classic and Ronan watched while hung over. We talk about the true horror lurking in Ghost Stories. We debate whether Karyn Kusama’s The Invitation is a Sacha Baron Cohen show as a horror movie.

We also talk about the films that the “young ones” will be watching as part of the back-to-school programme at the Irish Film Institute, the ongoing Dublin Festival of History and the first look deal between Element Pictures and Fox Searchlight that speaks to the viability of Irish film as award fare.

In terms of the top ten, there’s in-depth discussions of both Black ’47 and The Little Stranger, all four panelists having seen those films.

The top ten:

  1. Hotel Transylvania 3: A Monster Vacation
  2. The Predator
  3. Christopher Robin
  4. The Little Stranger
  5. Mile 22
  6. The Nun
  7. A Simple Favour
  8. Crazy Rich Asians
  9. Black ’47
  10. The House With A Clock In Its Walls

New releases:

You can download the episode here, or listen to it below.

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Non-Review Review: The Meeting

This film was seen as part of the Audi Dublin International Film Festival 2018.

The Meeting is a fascinating story, told terribly.

The real-life events that inspired The Meeting are genuinely moving. Nine years after she was sexually assaulted walking home from the bus, Ailbhe Griffith convenes a meeting with the man who raped her. In a small room, Ailbhe Griffith and Martin Swan engage in a dialogue about those events, about how that evening shaped both of their lives, and about the scars that linger. It took remarkable courage for Griffith to put herself in that room, and she is clearly a thoughtful and fascinating subject. There is a great movie to be made of this story.

Unfortunately, The Meeting is not that great movie. There are various reasons why The Meeting doesn’t work. Some of those reasons are justifiable and understandable, fair creative choices that simply don’t pay off in a satisfying manner and serve to undercut the narrative being constructed. However, some of those reasons are unjustifiable decisions that could never have worked even in abstract theory and which serve to turn The Meeting into a spectacularly ill-judged piece of cinema.

The eponymous meeting might have been a genuinely moving and affecting experience, but The Meeting is nothing short of a disaster.

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