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Dublin Film Critics Circle Awards, 2017

It’s the most wonderful time of the year!

Snow! Christmas! Terrible but enjoyable music! End of year “best of” lists!

I’m a member of a couple of critics’ organisations, so we’ll be releasing a couple of these lists upon which I voted. I’ll also hopefully be releasing my own top ten as part of a Scannain end-of-year podcast some time next week.

In the meantime, the Dublin Film Critics Circle have released their end of year awards. Thrilled to be a part of the group, who are voting on films released in Ireland during the calendar year of 2017. As such, it will be a different pool of films than the Online Film Critics Society awards.

A massive thanks to the wonderful Tara Brady for organising the awards this year, balloting members and collating results.

Anyway, without further ado…

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Non-Review Review: The Killing of a Sacred Deer

The Killing of a Sacred Deer is cold, clinical and Kubrick. Perhaps too much so in places. It is also mesmerising and haunting.

“Do you understand?” Martin asks a confused Steven towards the climax. “It’s a metaphor. My example. It’s metaphorical.” As one might expect from director Yorgos Lanthimos, The Killing of a Sacred Deer is very much couched in symbolism and metaphor. As the title implies, a reference casually suggested by a minor character quite late in the film, The Killing of a Sacred Deer might be best understood as a modern update of Iphigenia in Aulis, the tragedy of the Greek general Agamemnon who was forced to sacrifice his daughter to a vengeful god.

The man upstairs.

However, that is an incomplete prism through which The Killing of a Sacred Deer might be understood. The tale of a patriarch faced with an impossible choice to protect his family from a sinister outside force, The Killing of a Sacred Deer is a study of masculinity and responsibility. The film is an interrogation of sex and power through a surreal lens, skewed through psychological horror and pitch black comedy. The Killing of a Sacred Deer is never entirely abstract, but it is very rarely literal. It exists in a surreal and uncomfortable space that enhances the audience’s unease.

The Killing of a Sacred Deer is an uncanny piece of cinema, an ethereal moral fable that lingers long after its resolution.

Putting the matter to bed.

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