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New Podcast! The Time is Now – Season 2, Episode 6 (“The Curse of Frank Black”)

Because it’s Halloween, The Time is Now has a special treat. I was flattered to talk about The Curse of Frank Black with the one and only Tony Black. A perfect piece of Halloween viewing, it is one of my favourite episodes of Millennium, and so was a huge honour to be asked to sit in on this one.

I’ve gone on record about this before. The second season of Millennium is one of my favourite twenty-odd-episode seasons of television ever produced. It is hard to pick a single favourite from a season that features episodes like Jose Chung’s “Doomsday Defense”, Owls and Roosters, and The Fourth Horseman and The Time is Now. Nevertheless, The Curse of Frank Black is one of those episodes of television that has really stayed with me over the years. I have lost track of how many times I have watched it, and every time I still find something new. So this was a delight.

As ever, you can listen directly to the episode here, subscribe to the podcast here, or click the link below. I really hope you enjoy.

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Millennium – The Curse of Frank Black (Review)

This May and June, we’re taking a trip back in time to review the fifth season of The X-Files and the second season of Millennium.

The Curse of Frank Black is a phenomenal piece of television, and an episode that demonstrates the raw potential of the approach that Glen Morgan and James Wong have adopted towards Millennium, making the show feel (simultaneously and paradoxically) more intimate and more epic. It is a show about the end of the world, but where the end of the world can be conveyed through the late night wandering of an old man on Halloween. It is a superb piece of work on just about every level.

The Curse of Frank Black is, in a many ways, the perfect encapsulation of many of the themes and ideas that Morgan and Wong have played with over the years. It is constructed in the style of a classic horror film, but is driven by character. As with Scully in Beyond the Sea, Mulder in One Breath, and McQueen in The Angriest Angel, Frank Black finds himself facing an existential crisis at the darkest moment of his life. What will Frank do when faced with the most horrific of possibilities?

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What does anybody do when they are confronted with the end of their world? Morgan and Wong are fond of putting their characters through the metaphorical crucible, seeing what happens when the foundations are eroded and the support framework is taken away. The Curse of Frank Black suggests that there are only two possible options when the world falls to pieces: either you stand safely on your side of the line and watch it happen, or you pick up a bucket of water and start cleaning up.

It is a simple choice, an elegant metaphor, and it sits at the heart of The Curse of Frank Black.

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