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Star Trek: Enterprise – Desert Crossing (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Desert Crossing is an intriguing episode.

It’s a very thoughtful and insightful teleplay from André Bormanis, brought to life by director David Straiton. This is Straiton’s first credit on Star Trek: Enterprise, and he does a good job bringing the script to screen. Although the second half of the episode struggles to engage with any of the intriguing issues broached in the first half, and while nobody seems able to keep the scenery out of guest star Clancy Brown’s mouth, Desert Crossing is a very ambitious late-season episode.

Oh, Archer. What have you Dune now?

Oh, Archer. What have you Dune now?

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Star Trek: Enterprise – Fallen Hero (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Fallen Hero works quite well. While it isn’t sturdy or tight enough to stand with the very best of this first season, it is an engaging diplomatic thriller elevated by a fantastic guest performance, a nice focus on T’Pol and a surprisingly warm approach to the Vulcans. Easily the strongest episode between Shuttlepod One and Shockwave, Fallen Hero is a solid adventure that offers a glimpse of a more promising future.

I'll drink to that...

I’ll drink to that…

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Star Trek: Enterprise – Vox Sola (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Vox Sola is a rather sedate late-season instalment of Star Trek: Enterprise. Largely designed as a bottle show, Vox Sola has a rake of interesting ideas, but doesn’t offer any particularly insightful exploration. The alien creature of the week is unique and distinctive, but the episode constructed around it feels rather lacklustre. There’s a sense of late-season fatigue at work here, with Vox Sola feeling rather like a more low-key variation on the strange-space-phenomena-of-the-week story template that Star Trek: Voyager would use routinely.

"It's alive!"

“It’s alive!”

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Star Trek: Enterprise – Detained (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Detained is well-meaning, if a little clumsy and awkward.

It is a rather conscious effort to do a “message show” in the grand tradition of the Star Trek franchise, using the show’s science-fiction premise to offer a commentary on current events. Detained is very clearly structured as a response to the 9/11 attacks, even if Archer only explicitly references the internment of Japanese Americans at Manzanar. Detained is full of interesting ideas, and its heart is in the right place, but the execution feels decidedly rushed and haphazard. Detained works much better as a two-line moral than it does as a forty-five minute episode of television.

You can't call him Al...

You can’t call him Al…

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Star Trek: Enterprise – Oasis (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Oasis is an interesting story.

It was also an interesting story that time it was produced as Shadowplay during the second season of Star Trek: Deep Space Nine.

Ghosts of Star Trek's past...

Ghosts of Star Trek’s past…

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Star Trek: Enterprise – Acquisition (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Acquisition feels like a misstep for the first season of Star Trek: Enterprise.

It’s not the worst episode of the season. In fact, it falls rather comfortably into the show’s “big middle” – the random and generic episodes that take Star Trek clichés and execute them in a competent manner while overlooking the opportunity to do something a bit more novel and exciting. Acquisition ranks with failures like Civilisation or Sleeping Dogs or Rogue Planet. It is competently executed and contains a few moments of merit, but there’s a feeling that this has all been seen before.

"Take us to your leader."

“Take us to your leader.”

Of course, Acquisition serves to foreground a number of pressing concerns about the production of Enterprise. It’s something of a lightening rod to certain aggressive elements of fandom. Bringing back the Ferengi for a guest appearance proves that the show is more of a prequel to Star Trek: The Next Generation than to the original Star Trek. Glossing over continuity issues by refusing to name these marauding aliens demonstrates that the show clearly doesn’t care about continuity at all. Trying to do a comedy episode featuring the Ferengi demonstrates the producers have no idea what does and doesn’t work in Star Trek production.

All of this is, of course, nonsense. Acquisition isn’t a bad episode because it plays with continuity, or because it features the Ferengi. It’s a bad episode because it’s a comedy adventure that isn’t particularly funny or exciting.

"Hey, at least we got here before the Borg..."

“Hey, at least we got here before the Borg…”

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Star Trek: Enterprise – Rogue Planet (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

And with Rogue Planet, Star Trek: Enterprise wanders back into “generic Star Trek territory.

Rogue Planet is a story that could easily have been told on any other Star Trek spin-off. Indeed, a great deal of its story elements feel inherited like hand-me-down clothes. Hunters chasing sentient game is a stock science-fiction trope, but it is one that the franchise has explored quite frequently. The first season of Star Trek: Deep Space Nine gave us Captive Pursuit, another story about our heroes interfering in the hunt of a self-aware life form. The fourth season of Star Trek: Voyager introduced the Hirogen, a bunch of big-game hunters that put the Eska hunters to shame.

In fairness, wearing a glowing green eye patch on a pitch black planet probably isn't the best strategy...

In fairness, wearing a glowing green eye patch on a pitch black planet probably isn’t the best strategy…

Indeed, it hasn’t even been that long since Star Trek did an episode about hunters pursuing sentient prey. The final season of Voyager had produced Flesh and Blood, a gigantic feature-length television movie around the Hirogen and their pursuit of holograms that had developed self-awareness despite not meeting the more obvious criteria for sentience. This isn’t Enterprise retreading old ground; this is Enterprise retread ground that hosted a big song and dance less than fifteen months earlier. As with Civilisation and Sleeping Dogs before it, Rogue Planet has a definite “been there and done that” feeling to it.

That’s a shame, because there are a host of interesting elements here. They just are pushed into the back seat for a stock science-fiction plot.

Oh, Trip, have some respect!

Oh, Trip, have some respect!

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Star Trek: Enterprise – Fusion (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Fusion is a mess of an episode.

On the one hand, it feels like an attempt to develop that Vulcans as they’ve been portrayed on Star Trek: Enterprise. It’s a clear attempt to justify their behaviour and to suggest that there are reasons that Vulcans eschewed emotions. It also gives some focus and development to T’Pol, a character who has been given very little space to herself so far in this first season. It brings back the relaxed pacing of episodes like Breaking the Ice or Cold Front, soaking in the details rather than driving the plot.

Out, out brief candle...

Out, out brief candle…

On the other hand, there’s a disturbingly reactionary subtext to Fusion. It feels like an even more cynical and mean-spirited version of All the Children Shall Lead or The Way to Eden, a story about how people need to be wary of youthful and experimental subcultures. It’s disappointing that one of the first season’s big T’Pol episodes is basically a rape allegory. And the plot of the episode feels crammed into the last act to make up for the somewhat loose pacing.

Fusion is simply all over the place.

False idols...

False idols…

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Star Trek: Enterprise – Shuttlepod One (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Shuttlepod One is the best episode of the first season of Star Trek: Enterprise.

If you want to be particularly cynical about it, you could argue that it’s the show’s first absolutely unequivocal success. Enterprise‘s first season is a lot stronger and more interesting than most give it credit for, even if most of its stronger episodes were qualified successes – like Breaking the Ice, Cold Front or Dear Doctor – that hinted at a new type of character-driven Star Trek without entirely committing to it.

... it is very cold in space...

… it is very cold in space…

The first season of Enterprise tried quite a lot of new things that didn’t always work. That’s fine. That’s what a first season should be for. The greater tragedy is that the second season (or even the tail end of the first season) didn’t necessarily try to improve on those experimental successes, and instead fell back on that conventional Star Trek plotting that had been competing with that more experimental style in the first two-thirds of the first season.

In many ways, Shuttlepod One is the unlikely zenith of the first season. It comes off a string of flawed-but-intriguing episodes only briefly interrupted by the misfire that was Sleeping Dogs. However, the episode was written by creators Rick Berman and Brannon Braga to save budget in the second half of the season, filmed as a way to recoup budget overruns from elsewhere in the year. Despite that, it’s a compelling glimpse of Enterprise as it seemed to want to be – very much character-driven Star Trek.

Reed has a close shave...

Reed has a close shave…

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Star Trek: Enterprise – Shadows of P’Jem (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Shadows of P’Jem is a wonderful episode. It is, in many respects, the first true post-9/11 episode of Star Trek: Enterprise, and it is a surprisingly thoughtful one at that.

In many respects, Enterprise has already established itself as Star Trek for the George W. Bush era. Archer is the franchise’s first white American male lead character since Kirk, and his contempt for politics and thirst for action mirrors the popular image of George W. Bush – a dynamic man with no time for questions or hesitation. Even little touches – like the fact that officers drink beer rather than champagne, or the anti-intellectual contempt that Archer and Trip feel towards Vulcans – suggest a Star Trek show that is very much in line with Bush’s America.

Shadows on Coridan...

Shadows on Coridan…

However, Shadows of P’Jem was among the first episodes written after the events of 9/11, and it’s an episode that seems quite thoughtful and introspective. The franchise has often used the Federation as a stand-in for American values and ideals. Shadows of P’Jem twists this idea on its head, offering the future Federation members as stand-ins for various facets of American foreign policy.

Shadows of P’Jem is a considerate and reflective look at what Walter Nugent termed “the habits of empire”, a look at the cost and consequences of imperialism in a post-colonial age, and how those issues tend to fester.

A night in sickbay...

A night in sickbay…

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