• Following Us

  • Categories

  • Check out the Archives

  • Awards & Nominations

Star Trek: Enterprise – Desert Crossing (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Desert Crossing is an intriguing episode.

It’s a very thoughtful and insightful teleplay from André Bormanis, brought to life by director David Straiton. This is Straiton’s first credit on Star Trek: Enterprise, and he does a good job bringing the script to screen. Although the second half of the episode struggles to engage with any of the intriguing issues broached in the first half, and while nobody seems able to keep the scenery out of guest star Clancy Brown’s mouth, Desert Crossing is a very ambitious late-season episode.

Oh, Archer. What have you Dune now?

Oh, Archer. What have you Dune now?

Continue reading

Star Trek: Voyager – Caretaker (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

So, Star Trek: Voyager.

Where do we begin? Voyager is probably the most divisive and controversial of the Star Trek spin-offs, the one that carries a lot of the blame for the franchise’s decline and decay in the mid to late nineties. It is the series that connects the tail end of the success story that was Star Trek: The Next Generation to the start of the dying gasp that was Star Trek: Enterprise. This spin-off had the misfortune to launch at the height of a revived franchise’s popularity and to finish as public interest waned.

Feels like going home...

Feels like going home…

Star Trek: Voyager felt like an act of hubris. It was positioned by Paramount to be the studio’s highest-profile television show. It was a feature of the television landscape, finally allowing Paramount the chance to leverage its own television network – a plan delayed since the late seventies, but deemed feasible in the mid-nineties. UPN branded itself “the first network of the new century”, a rather arrogant declaration. Caretaker was the first thing broadcast on UPN in early 1995, débuting to an audience of more than 21 million. However, Voyager would never reach those figures again.

Despite that success, things fell apart quickly. None of the shows that aired on UPN’s second night received a second season. The only shows to limp on to renewal from the network’s rocky first year were Voyager, The Sentinel and Moesha. Of these meagre freshmen hits. Voyager lasted the longest, with one more season to its name than Moesha. Over the summer of 1995, it was identified by The Los Angeles Times as the network’s “star survivor”, and the show upon which all of the network’s hopes rested. By 2000, five years later, the network had run up a debt of $800,000.

"I hope you don't mind, our tailors measured you while you were unconscious. It's all part of a standard probe."

“I hope you don’t mind, our tailors measured you while you were unconscious. It’s all part of a standard probe.”

That’s a lot of pressure for any television series to bear. Following (and, in the eyes of many, replacing) an illustrious predecessor, supporting the weight of a new television network, pushing into the future while remaining anchored to the past, it’s no wonder that Star Trek: Voyager wound up the confused mess that it became. Indeed, one can recognise many of the problems that would haunt the show through to its final season tied up in this pilot episode.

Continue reading