• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Doctor Who: Time Crash (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Time Crash originally aired in 2007.

To days to come.

All my love to long ago.

– the Fifth and Tenth Doctors look backwards and forwards

There is a strange school of thought about the revived Doctor Who, populated by a very vocal minority of fans, who insist that the new series hasn’t been paying nearly enough attention to what came before – that it’s really the show “in name only” or whatever extremist rhetoric you want to use. These are the fans who refuse to be satisfied with The Day of the Doctor because it’s not “The Eleven Doctors”, without having actually seen the anniversary special.

These are fans who are heartbroken that the show hasn’t found time to show Paul McGann regenerating into Christopher Eccleston, or who object to the destruction of Gallifrey or the re-working of monsters with messy back stories like the Cybermen in order to make them more accessible to modern audiences. It’s worth stressing that this viewpoint is very much in the minority, but it exists. Any journey into on-line forums or discussions about the show will inevitably trip across this particular viewpoint.

Of course, that’s complete nonsense. Even if it was ambiguous beforehand, Time Crash exists as nothing short a love letter to a very particular past era of the show.

More than just a tip of the hat...

More than just a tip of the hat…

Continue reading

Doctor Who: Planet of the Ood (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Planet of the Ood originally aired in 2008.

How many Ood in total?

I’d say about two thousand, sir.

We can write them off. That’s what insurance is for.

– Halpen and Kess remind us that these are not nice people

Planet of the Ood is a bit blunt. And by “a bit”, I mean “a lot.” It’s an allegorical exploration of unchecked capitalism and slavery, using the science-fiction setting to tell a story with a familiar moral.Then again, Planet of the Ood largely works because that moral remains rather timely and relevant, but also because it’s a fantastically produced piece of television. It’s fast and pacey, it looks stylish, it has a fantastic cast and an efficient script. Sure, there are rough edges, but Planet of the Ood continues a fairly strong start for the fourth season.

Soaring...

Soaring…

Continue reading

Doctor Who: The Reign of Terror (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Reign of Terror originally aired in 1964.

Hush, child. Say your goodbyes and remember, we shall be leaving almost immediately

– the Doctor, about two minutes into the first part of a six parter

The Reign of Terror represents a fairly disappointing conclusion to a reasonably solid first season of Doctor Who. I won’t argue that the show’s first year can be ranked among the finest in the fifty-year history of the show, but I do think that the stories generally did quite a decent job of introducing the characters and concepts and setting them up so that they could support a lot more. It’s interesting to compare the title character introduced in An Unearthly Child to the version presented in The Sensorites.

While The Sensorites is still a story far too long and far too generic for its own good, it still feels like it solidifies a version of the character who – broadly speaking – resembles the Doctor we know and love. While I’d argue the Doctor was only absolutely solidified as a hero in The Dalek Invasion of Earth, there’s a very clear through-line from An Unearthly Child to The Sensorites which charts the evolution of the character. The Sensorites would make a decent (if unspectacular) place to end the first season.

Unfortunately, the first season continues on for one more episode. The Reign of Terror is just as over-long and just as padded out as The Sensorites, but it suffers because it feels like a massive step backwards in a season that has been very clearly moving forwards.

An animated sort...

An animated sort…

Continue reading

Doctor Who: The Sensorites (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Sensorites originally aired in 1964.

There’s one thing about it, Doctor. We’re certainly different from when we started out with you.

That’s funny. Grandfather and I were talking about that just before you came in. How you’ve both changed.

Well we’ve all changed.

Have I?

Yes.

Yes, it all started out as a mild curiosity in a junkyard, and now it’s turned out to be quite a, quite a great spirit of adventure, don’t you think?

Yes. We’ve had some pretty rough times and even that doesn’t stop us. It’s a wonderful thing, this ship of yours, Doctor. Taken us back to prehistoric times, the Daleks.

Marco Polo, Marinus.

And the Aztecs.

Yes, and that extraordinary quarrel I had with that English king, Henry the Eighth. You know, he threw a parson’s nose at me.

What did you do?

Threw it back, of course.

– Ian, Susan, Barbara and the Doctor discuss character development

The Sensorites feels like a bit of a mess of an episode. It’s a six-part adventure, but one that feels quite a bit longer than it should be. The trip to Skaro in The Daleks ran for seven episodes, but it never felt quite as padded as this. There are some decent ideas and some nice character moments to be found in The Sensorites, if you’re willing to look hard enough, but there’s also quite a lot of padding, quite a lot of nonsense, and some plot developments that feel just a little bit convenient or contrived. This isn’t Doctor Who at anything approaching its best, but there’s still some measure of potential here.

Using your head...

Using your head…

Continue reading