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Doctor Who: Planet of the Ood (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Planet of the Ood originally aired in 2008.

How many Ood in total?

I’d say about two thousand, sir.

We can write them off. That’s what insurance is for.

– Halpen and Kess remind us that these are not nice people

Planet of the Ood is a bit blunt. And by “a bit”, I mean “a lot.” It’s an allegorical exploration of unchecked capitalism and slavery, using the science-fiction setting to tell a story with a familiar moral.Then again, Planet of the Ood largely works because that moral remains rather timely and relevant, but also because it’s a fantastically produced piece of television. It’s fast and pacey, it looks stylish, it has a fantastic cast and an efficient script. Sure, there are rough edges, but Planet of the Ood continues a fairly strong start for the fourth season.

Soaring...

Soaring…

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Doctor Who: The Monster of Peladon (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Monster of Peladon originally aired in 1974.

Oh, have a heart, Sarah. I’ve been meaning to pay a return visit to Peladon for ages.

I can’t think why.

– the Doctor and Sarah Jane

What made The Curse of Peladon so fantastic was the fact that it felt so unique and different, as compared to all the Third Doctor adventures that had appeared before. Sure, the Doctor had travelled in time and space in Colony in Space, but The Curse of Peladon was really the first time that the colour television series had indulged in designing a truly alien world populated with truly alien creatures. Since the series had begun transmission in colour with Spearhead from Space, there had been nothing quite like it, and that was what made The Curse of Peladon so refreshing.

As such, the idea of doing The Monster of Peladon seems a bit questionable, especially when it’s going to feature the same world, the same aliens and be two episodes longer than the original adventure.

Not an underrated gem, I'm afraid...

Not an underrated gem, I’m afraid…

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Doctor Who: Revenge of the Cybermen (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Revenge of the Cybermen originally aired in 1975.

Then what is it? You’ve no home planet, no influence, nothing. You’re just a pathetic bunch of tin soldiers skulking about the galaxy in an ancient spaceship.

– the Doctor pretty much sums it up

To be fair, the title should the first clue that something is not quite right here.

Tom Baker’s first season of Doctor Who contains two genuine classics in the form of Genesis of the Daleks and The Ark in Space, along with the quite good Sontaran Experiment, but it was bookended by two absolute clunkers. Indeed, Revenge of the Cybermen and Robot both feel like holdovers from the Barry Letts era of the show, and they’d both probably seem a whole lot more entertaining as vehicles for Jon Pertwee rather than Tom Baker.

Sadly, we’ve got what we’ve got, so let’s just try to work through this.

Sadly it's A bomb, not THE bomb...

Sadly it’s A bomb, not THE bomb…

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