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Doctor Who: Midnight (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Midnight originally aired in 2008.

And you be careful, all right?

Nah. Taking a big space truck with a bunch of strangers across a diamond planet called Midnight? What could possibly go wrong?

– Donna and the Doctor tempt fate

Midnight was the fiftieth episode of the revived Doctor Who to enter production. It had been intended to air as the fiftieth episode of the new series, but plotting similarities between Forest of the Dead and Turn Left forced Davies to shift the broadcast order of the episodes. As a result, we end up with the longest consecutive streak of Davies-written episodes in the history the show, stretching from Midnight through to The End of Time, Part II. In essence, although it’s not really intended as part of the over all arc, Davies’ swan song begins here.

And it’s the best episode that Davies has ever written. It might be the best episode of the fourth season. It might even compete for the best episode of show produced by Davies.

So it’s pretty great.

The long dark midnight of the soul...

The long dark midnight of the soul…

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Doctor Who: Planet of the Ood (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Planet of the Ood originally aired in 2008.

How many Ood in total?

I’d say about two thousand, sir.

We can write them off. That’s what insurance is for.

– Halpen and Kess remind us that these are not nice people

Planet of the Ood is a bit blunt. And by “a bit”, I mean “a lot.” It’s an allegorical exploration of unchecked capitalism and slavery, using the science-fiction setting to tell a story with a familiar moral.Then again, Planet of the Ood largely works because that moral remains rather timely and relevant, but also because it’s a fantastically produced piece of television. It’s fast and pacey, it looks stylish, it has a fantastic cast and an efficient script. Sure, there are rough edges, but Planet of the Ood continues a fairly strong start for the fourth season.

Soaring...

Soaring…

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