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New Escapist Column! On the Ewoks as Quintessential “Star Wars”…

I published a new In the Frame piece at Escapist Magazine this evening. This is one I’ve been thinking about for quite a while: the Ewoks.

Conventional fan wisdom is that the Ewoks are crap. After all, they don’t even get a look in when Star Wars: Episode IX – The Rise of Skywalker returns to the ruins of the Death Star, ending up consigned to a brief cameo in the closing montage. There’s a certain strand of fandom that considers the Ewoks the weakest part of Star Wars: Episode VI – Return of the Jedi. This is a shame, as the Ewoks are actually one of the best parts of the film. More than that, they are on of the best parts of the franchise. They speak to the kind of things that only Star Wars could do, that gonzo blend of wholesome and radical.

You can read the piece here, or click the picture below.

New Escapist Column! The Flawed Redemption at the Heart of “Return of the Jedi”…

I published a new In the Frame piece at Escapist Magazine on Monday. This one has been kicking around inside my head for a little while, but came to the fore with the recent trailer for Star Wars: Episode IX – The Rise of Skywalker. Primarily, the flawed redemption at the heart of Star Wars: Episode VI – The Return of the Jedi.

Look, everybody knows the basic arc of the Star Wars saga. Luke discovers that Darth Vader is his father, sets out to redeem him, manages to turn Vader away from the dark side before Vader dies. However, that’s never been quite how it works. The actual arc is a lot messier and more complicated, and a lot less conventionally heroic than it is remembered. Return of the Jedi never actually bothers to redeem Vader, instead focusing on redeeming Luke’s idea of Vader. At its core, Return of the Jedi is a story about how hard Luke wants to believe his father was a good man, in spite of all evidence to the contrary.

Along the way, Luke gambles the entire future of the Rebel Alliance and his sister’s fate on the assumption that there is goodness in Vader, while the film never actually bothers to demonstrate that there is any. It’s a fascinating incomplete arc, and one that hints at a gaping moral void at the heart of the larger Star Wars saga. It’s a story about how an individual’s redemption doesn’t matter, only other people’s idea of that redemption. In its own way, it marks Return of the Jedi as a quintessentially eighties movie; it is a story about how the most important thing to Luke is not the fate of the galaxy, but his own self-image.

You can read the piece here, or click the picture below.