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X-Men: Mutant Massacre (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Mutant Massacre represents something of a minor game changer in the world of the X-Men titles that Marvel was producing. Originally proposed by Uncanny X-Men scribe Chris Claremont as a story to be told within that title, editorial seized upon the opportunity to connect their developing line of mutant titles, having each monthly issue of Uncanny X-Men, X-Factor and The New Mutants serve as a single chapter in an expansive storyline. It really was the first X-Men crossover, setting the template for dozens to follow over the coming decades from “thematic” crossovers like Fall of the Mutants to more straight-forward examples like Inferno or X-Tinction Agenda, or even ones that came long after Claremont like Messiah Complex or Second Coming. More than that, though, Mutant Massacre demonstrated the key attributes of Claremont’s rapidly expanding universe, reintroducing a sense of uncertainty and dread into the comics.

Tearing the X-Men to pieces…

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Non-Review Review: X-Men – First Class

X-Men: First Class is easily the best thing to emerge from Bryan Singer’s X-Men movie franchise since X-Men II, all those years ago. Jane Goldman’s smart script and Matthew Vaughn’s confident direction help inject life back into the franchise that stirred up this current superhero blockbuster fad, providing one of the finest examples of the subgenre. Although the movie does occasionally veer a little bit too close to (and, once or twice, right into) camp, it’s also a clever, brave, bold and exciting action adventure, which provides the best characterisation of the series to date.

We've got it covered...

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A Good Poster for X-Men…

If you were on the inter-webs yesterday, you might have had the grave misfortune to stumble across Michael Fassbender’s face superimposed over Sir Ian McKellen’s crotch and James McAvoy’s eyebrows being cut short by Patrick Stewart’s wheelchair arm in a vain attempt to promote X-Men: First Class, which must have the worst marketing campaign in the history of cinema. However, in order to help you forget those images (I never will), Last Exit to Nowhere tweeted the below epic X-Men posted from Eric Tan. It has nothing to do with actual movie, but it still manages to fit the whole “nostalgic” thing the movie’s going for (albeit fifties instead of sixties).

Superb.

On the other hand, I do quite like the (relatively) more subtle European posters which don’t feature Michael Fassbender’s face superimposed over Sir Ian McKellen’s crotch and nor James McAvoy’s eyebrows being cut short by Patrick Stewart’s wheelchair arm.

Matt Fraction’s Run on Uncanny X-Men – Nation X (Review/Retrospective)

I am doing a weekly look at Marvel’s complicated crossover chronology, following various key crossovers to see if they might give me a better idea of what I’m missing by avoiding mainstream comic book continuity. While – with The Avengers due for release in 2012 – I am focusing on the stories told featuring those characters over the past five years, I also have time for the X-Men. While this isn’t strictly speaking a crossover, it is a series of issues which connect Utopia to Second Coming, so I figured it was worth a look.

Utopia ended with a heck of a plot twist. Cyclops decided that his merry band of mutants have had enough of being looked down upon in New York and , more recently, San Francisco, so he decides to build himself an island from the remains of Magneto’s “Asteroid M” just off the San Francisco Bay. Announcing the new nation of “Utopia”, he declares the island a haven for mutants. Nation X provides a hardcover collection of the issues from Matt Fraction’s Uncanny X-Men which bridge the gap between Utopia and Second Coming, as well as the four-issue Nation X anthology miniseries. And, while it’s a decidedly uneven reading experience, I have to admit that some of Fraction’s portrayal of the mutant team is a little bit interesting – even if most is slightly boring and deeply convoluted.

Magneto has a magnetic personality...

Note: This collection opens with Dark Reign tie-in X-Men: The List written by Matt Fraction and following an attempted assassination attempt on Namor by Norman Osborn. Accordingly, I think I should open this review with a link to Abhay’s quite excellent article on the issue, which – among some more serious points – suggests that Namor is starring in his own private version of You Don’t Mess With The Zohan. Seriously, check it out.

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