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Can an Indie be too popular for the Oscars?

We are well and truly in Oscar season, in case you didn’t pick up on the Toronto International Film Festival as the kick-off of events (in fairness, it’s been going on longer than that – Oscar season is like Christmas advertising, it gets earlier every year. It’s fun the way that (even at this stage) every minor bump in the road for any picture is seen as potentially the end of its run. I’m not an Oscar-ologist, so I will concede I’m outside my field of expertise. It’s stunning that the perceived snubbing of perceived Oscar-lock Precious: Based on the Novel Push by Sapphire (heck of a title, there) at the Gotham Awards. It’s got a lot of film critics and Oscar-watchers pondering if the mainstream support that stars like new Academy member Tyler Perry and Oscar-nominee Oprah Winfrey may have actually harmed it. Are AMPAS such snobs that a showing of support from Oprah can ground a film’s chances?

Cruising for a bruising at Oscar season?

Cruising for a bruising at Oscar season?

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The Queen is Dead? Long Live the Queen? Is Oprah’s Reign Coming to an End?

We don’t really do chat shows in this part of the world. Well, that’s a lie. We don’t do them well. And when we do do them, they are Prime Time shows like The Late, Late Show and are more often than not cheap imitations of chatshows from the States – we’re looking at you, Tubridy Tonight. In recent years we’ve tried the morning and afternoon chatshows and they haven’t really caught on – there’s a crisis at the RTE Afternoon Show even at the moment. In the States it’s different. Oprah Winfrey is the most powerful person on television. She saved Whitney Heuston. She makes or breaks best selling novels. Oprah is powerful. So the rumours that Oprah’s time as queen of the afternoon come as a bit of a surprise to me. As do many of the suggested reasons…

O, my god!

O, my god!

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