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Is an Inglourious Oscar on the Way? Or Just a Basterdly Disappointment?

As anyone who visits the site will know, Inglourious Basterds was my film of last year. I just dug it – the post-modern aspects of it, the juxtaposition of Tarantino’s style with the historic backdrop, the ending. And I’m more than delighted to think that Christophe Waltz will earn an Oscar statuette for his work, making it three years on the trot of amazing Supporting Actor turns. But will the film itself score one of the big nominations? Of that, I’m not quite so sure.

That's one way of convincing Academy members...

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Can an Indie be too popular for the Oscars?

We are well and truly in Oscar season, in case you didn’t pick up on the Toronto International Film Festival as the kick-off of events (in fairness, it’s been going on longer than that – Oscar season is like Christmas advertising, it gets earlier every year. It’s fun the way that (even at this stage) every minor bump in the road for any picture is seen as potentially the end of its run. I’m not an Oscar-ologist, so I will concede I’m outside my field of expertise. It’s stunning that the perceived snubbing of perceived Oscar-lock Precious: Based on the Novel Push by Sapphire (heck of a title, there) at the Gotham Awards. It’s got a lot of film critics and Oscar-watchers pondering if the mainstream support that stars like new Academy member Tyler Perry and Oscar-nominee Oprah Winfrey may have actually harmed it. Are AMPAS such snobs that a showing of support from Oprah can ground a film’s chances?

Cruising for a bruising at Oscar season?

Cruising for a bruising at Oscar season?

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