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Non-Review Review: Oblivion

Director Joseph Kosinski wears his science-fiction interests on his sleeve. Tron: Legacy was obviously an update of an eighties science-fiction cult classic, and Oblivion feels like another form of pulpy homage. At its best, Oblivion feels like a spiritual successor to those wonderful cult science-fiction movies of the seventies and eighties, by way of classic version of The Outer Limits. Oblivion isn’t the strongest piece of science-fiction I’ve seen this year, nor the most ambitious, nor the most intelligent.

The movie is full of twists and turns, but few that any genre aficionado will fail to see coming. Instead, the movie largely works because it feels like an affectionate homage to those old-school post-apocalyptic pulpy sci-fi adventures. It’s cinematic nostalgia, but it’s lovingly crafted and skilfully rendered. Kosinski might not be the best storyteller working in the business, but he has a wonderful eye and keen sense of how to construct a beautiful scene.

On top (what remains of) the world...

On top (what remains of) the world…

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Non-Review Review: Seven Psychopaths

“Meta” is a concept that can be very rewarding, but it’s very difficult to do right. Often, it seems a little heavy-handed, a little self-indulgent. The art of writing fiction about fiction can easily descend into a writer documenting his own process, or become clever for the sake of being clever – offering an easy way out of virtually any dramatic situation, and allowing the script to answer pretty much any question with “because the writer says so.” Nevermind that movies about movie are prone to become a little self-congratulatory, or a little too self-focused. Seven Psychopaths never completely falls apart, but it occasionally struggles with these sorts of problems a little bit in the middle. Martin McDonagh has produced a very thoughtful and clever exploration of the traditional revenge film, but the execution feels a little bit too clunky at times.

I understand that this might be the point, but there are times when Seven Psychopaths feels like more of a narrative experiment than a compelling story in its own right. Still, it’s witty and funny and bold and smart and charming. Those attributes aren’t the easiest to come by, and certainly not in this combination. Seven Psychopaths might not be the incredible success that In Bruges was, but it’s a film that takes chances, and which tries to push both the genre and its audience a little out of their comfort zone. It is very hard not to respect that, and I’d be lying if I didn’t admit I was fairly consistent charmed throughout its runtime.

The write stuff…

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