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Non-Review Review: Oblivion

Director Joseph Kosinski wears his science-fiction interests on his sleeve. Tron: Legacy was obviously an update of an eighties science-fiction cult classic, and Oblivion feels like another form of pulpy homage. At its best, Oblivion feels like a spiritual successor to those wonderful cult science-fiction movies of the seventies and eighties, by way of classic version of The Outer Limits. Oblivion isn’t the strongest piece of science-fiction I’ve seen this year, nor the most ambitious, nor the most intelligent.

The movie is full of twists and turns, but few that any genre aficionado will fail to see coming. Instead, the movie largely works because it feels like an affectionate homage to those old-school post-apocalyptic pulpy sci-fi adventures. It’s cinematic nostalgia, but it’s lovingly crafted and skilfully rendered. Kosinski might not be the best storyteller working in the business, but he has a wonderful eye and keen sense of how to construct a beautiful scene.

On top (what remains of) the world...

On top (what remains of) the world…

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