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New Podcast! Scannain Podcast (2018) #23!

We’re now completely caught up on the Scannain podcast. And with new and improved sound design, thanks to the wonderful Donnacha Coffey.

This week, I join a fantastic panel including Grace Duffy, Jason Coyle, Ronan Doyle, and Donnacha Coffey from Filmgrabber. As ever a wide-ranging discussion took place, including talk about Set It Up and Netflix’s niche, the incredibly vibrant world of Streets of Fire, the continuing disaster that is Star Wars fandom after the release of Solo: A Star Wars Story and whether Lady Bird is the best film of the year so far. New releases include The Happy Prince, Kissing Candice and Ocean’s 8.

Give it a listen at the link, or check it out below.

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Non-Review Review: Ocean’s 8

Ocean’s 8 is mostly a charming and inoffensive heist movie that coasts off the charisma of its central cast.

This isn’t necessarily a criticism of itself. There’s nothing wrong in watching an ensemble including Cate Blanchett and Sandra Bullock bounce off one another, performers who are both talented screen and genuine old-fashioned movie stars. As with the series of films that obviously inspired (and named) Ocean’s 8, the cast have an easy chemistry with one another. Star power goes a long way, and there’s something almost refreshing in seeing a movie that runs almost exclusively on it in this age where these sorts of high-profile movies are largely driven franchising, high concepts and intellectual property.

Properly trained for this.

Of course, there’s some small complication in that in that Ocean’s 8 feels at times like an effort to split the difference between being a star-driven caper movie and also the latest installment in a larger recognisable franchise. Indeed, some of the movie’s weakest moment lean most heavily on nods and winks to the trilogy of Steven Soderbergh movies that provided a launching pad for this female-star-driven caper. The title character is Debbie Ocean, revealed to be the sister of Danny Ocean; that is the least of it. (Even the choice of “8” in the title seems designed to leave room for two more installments making a trilogy.)

Still movie stars are a dying breed, so it’s a novelty to see so many of them congregating in the same place and to see a movie that understands the appeal of watching confident performers playing competent characters who are constantly in motion. Ocean’s 8 lacks some of the more undervalued elements of the earlier films, the problems created by their absence here underscoring their importance, but it mostly succeeds as a light and breeze caper movie without a clear antagonist, without a strong directorial vision and with an over-extended third act.

Getting the gang together.

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