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Non-Review Review: The Family

I can’t tell you what The Family is. Not because of omerta or anything as cliché as that, but because it seems like The Family itself doesn’t know. I can describe what happens in the film, taking you through the events as they unfold on screen. I can describe the set-up. I can talk about its obvious influences. But I can’t tell you what exactly Luc Besson’s latest film actually is, because it seems like Besson himself can’t make up his mind.

Is it an action film with a quirky and unconventional set-up? Is it a gangster comedy about a former crook trying to go straight? Is it a fish-out-of-water comedy of manners about Americans arriving in northern France? Is it a pitch black comedy about a self-justifying sociopath attempting to carve out his own place in the world? Is it a high-stakes thriller about a family putting their lives on the line? Is it a weird coming-of-age drama? The Family is all of these things at various points, but it never commits to any of them.

Instead, it uses these elements to just keep circling until the running time is over.

Family values...

Family values…

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Win! Tickets to Jackass Presents Bad Grandpa with ClickOnline Movie Nights!

Thanks to the lovely folds over at ClickOnline Movie Nights, we have a pair of tickets to give away to a preview screening of Jackass Presents Bad Grandpa next Monday night (21st October) in Rathmines. To be in for a chance to win, just fill out the form below.

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The guys at ClickOnline have been doing a bunch of these screenings – their last one was a screening of the horror film of the summer, The Conjuring – so head on over to their site to sign up to be kept up to date.

Non-Review Review: Barbaric Genius

Barbaric Genius has a fascinating subject. Writer John Healy was responsible for The Grass Arena, generally regarded as one of the most searingly and brutally honest depictions of life on the streets published during the eighties. However, despite the fact that The Grass Arena became a touchstone for an entire generation and that it was so successful that it was developed into a film, Healy faded rather quickly from view. Despite writing consistently over the years that followed, none of Healy’s work was published for more than two decades following the 1988 release of The Grass Arena.

It’s an intriguing mystery, and Barbaric Genius does a thorough job exploring it, but the documentary suffers a bit as it tries to bring its subject into focus, often feeling like director/producer/narrator Paul Duane is having difficulty getting the necessary distance between himself and the film.

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Jameson Cult Film Club: Die Hard

I had the pleasure of attending Wednesday evening’s Jameson Cult Film Club screening of Die Hard. As we’ve come to expect from the guys, it was a wonderful evening hosted in the Tivoli Theatre, from the black-and-white cop car waiting to greet us outside right down to the cut out copy the Nakatomi lobby sculpture, the team clearly put the usual amount of love and affection into crafting an immersive experience for the audience.

(My personal favourite moment was the decision to announce that the film would be starting shortly by having an Alan-Rickman look-alike and his goons storm the dance floor. It was a lovely touch, particularly given the decision to have the directions shouted by the gun-weilding goons rather than the Rickman impersonator.)

Photos and more after the jump.

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Click to enlarge.

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Watch! New Gravity Trailer!

Gravity is easily one of my most anticipated movies of this last third of 2013. The talent involved is enough to attract attention, from two wonderful lead actors through to a visionary director telling a story which seem intriguing and ingenious at the same time. Early word on the film has been pretty strong. I’m particularly reassured by the revelation that the explosions and such were only effects added for the trailer – so much so that the introductory text here seems to have been added to sway other skeptics. (That said, this trailer still features its fair share of noise in space.)

Warners have released another trailer for the film, and it looks – as one might expect from Alfonso Cuaron – absolutely stunning. Check it out below.

Win! Tickets to the Jameson Cult Film Club Screening of DieHard!

The Jameson Cult Film Club is returning to Dublin for their biggest and most electrifying double screening to date. Continuing on from this year’s successful screenings of Intermission and LA Confidential, the Jameson Cult Film Club promises to transport the audience right into the world of the high suspense action classic, Die Hard (1988), which will be screened at a secret Dublin location on Tuesday 17th and Wednesday 18th September 2013. Jameson Cult Film Club screening of Die Hard This special screening promises to transport the audience right into the world of this cult classic for an unforgettable viewing experience. Attendees will be treated to much more than a typical screening, as actors, live theatre and special effects timed perfectly with on-screen action help to create an electric atmosphere throughout the screening. Check out www.jamesoncultfilmclub.ie for details and register for the chance to win free tickets to one of the screenings on either 17th or 18th September.

So if you would like to win one of two sets of TWO TICKETS to the screening on WEDNESDAY 18th SEPTEMBER answer the following question:

The competition is no closed. Winners will be notified shortly.

All entrants must be over 18. You must be available to attend the screening. The contact details above will only be used to contact the winners of the competition.

DH-265 Die Hard © 2013 TCFHE LLC Available on Blu-ray & Digital HD™

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Non-Review Review: Star Trek (2009)

This August, to celebrate the upcoming release of Star Trek: Into Darkness on DVD and blu ray, we’re taking a look at the Star Trek movies featuring the original cast. Movie reviews are every Tuesday and Thursday.

Star Trek was not in a healthy place at the end of the first decade of the twenty-first century. The last film, Star Trek: Nemesis, had been box office poison – partially due to the terrible script and direction, and partially due to the monumentally stupid decision of opening it during a winter season including The Lord of the Rings: The Two Towers, Harry Potter and the Chamber of Secrets and Die Another Day.

On television, things hadn’t been much brighter. Ratings had been in decline since Star Trek: Voyager hit the air, and Star Trek: Enterprise went through both a re-tool and a creative shift before becoming the first Star Trek television show since the eighties to be cancelled before running a full seven seasons. Even the most ardent Star Trek fan would have to concede that the franchise did not appear to have a bright future at that point in time.

And yet, against all odds and despite all the goodwill the franchise had lost, JJ Abrams and Paramount managed to reinject both an energy and a vitality into the film, producing one of the best blockbusters of the decade.

A commanding Enterprise....

A commanding Enterprise….

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Watch! New All Is Lost Trailer

Universal sent over the latest trailer for All is Lost. Starring Robert Redford as a man adrift, the movie is written by and directed by J.C. Chandor. Chandor made a name for himself as the writer and director of Margin Call, a peek behind the curtain at the events leading up to the financial crisis. All is Lost looks to be an entirely different animal. With only one credited role (Redford as “our man”), it looks like a showcase for the leading actor’s talents.

The film has been generating good buzz (I hear it was well-received at the Galway Film Fleadh), and it looks like a fascinating old-school man-against-unforgiving-nature survival drama. Check out the trailer below.

Non-Review Review: Percy Jackson and the Sea of Monsters

Percy Jackson and the Sea of Monsters demonstrates just how lucky the Harry Potter films were when it came to casting teenage performers. As a movie series centred around the off-spring of Greek deities, the movie relies on the charisma of its leads to sell the premise. Unfortunately, they aren’t quite up to the task. While none of the performers are terrible or wooden, the film drags to a hault when the teenage actors are asked to carry a scene. As a result, a quiet boat ride in the middle of the film seems interminable, and a heart-to-heart before the climax feels overlong.

None of the cast are assisted by a script from Marc Guggenheim. Guggenheim is capable of a well-placed zinger, and the movie offers its fair share of wit, but everything about the movie feels pandering and simplistic, as if Guggenheim doesn’t trust his audience to pick up on the plot points if they aren’t painstakingly catalogued and repeatedly spelt out with cringe-worthy dialogue. Indeed, Guggenheim’s desire to slow everything down so he can repeatedly explain what’s going on only adds to the pacing issues caused by the weak leads.

It’s a shame, because the adult cast seem to be genuinely enjoying themselves, and there’s something quite charming about the idea of “demi-googling” as a means of retrieving information.

Another stab at a Percy Jackson film...

Another stab at a Percy Jackson film…

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Non-Review Review: Only God Forgives

Only God Forgives is a journey into hell. It’s an unpleasant, uncomfortable, terrifying, surreal, macabre, haunting, eerie and beautiful exploration of brutality and violence. Nicolas Winding Refn’s latest film isn’t anywhere near as accessible as Drive. It isn’t just bereft of sympathetic characters, it doesn’t even feature any characters who lend themselves to empathy or recognisability. Ryan Gosling’s Julian is so introverted and withdrawn that it’s often difficult to determine the difference between reality and his surreal dream sequences.

Then again, given Refn suggests the man is living in his own private hell, perhaps there’s not too much difference any way.

Wanna fight?

Wanna fight?

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