• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Non-Review Review: The Tourist

In theory, The Tourist should be great fun. After all, the last time we had a high-octane romantic adventure thriller, we ended up with the genuinely entertaining Knight and Day. And, if anything, Johnny Depp and Angelina Jolie should represent a large step-up from Tom Cruise and Cameron Diaz. Unfortunately, the movie doesn’t quite deliver. Mistaking twists for plot and assuming that strong leads can make up for underwritten roles, the film flails around rather randomly, alternating between a genuinely exciting little European thriller and fairly paint-by-numbers twist-a-minute adventure, it never manages to set a particular tone, and leaves its two actors struggling to stay afloat amid the rather wonderful Venetian scenery.

Tour of duty?

Continue reading

Non-Review Review: The Firm

The Firm would be an entertaining little thriller, if it ran maybe half-an-hour shorter. John Grisham’s legal thrillers were pretty much the gold standard for lawyer-related movies during the nineties, with any number of movies adapted freely from his books (notably in the format of “The [insert noun here]” like “The Firm”, The Client, The Rainmakerand so on). It’s a shame, because I believe that The Firm might have, with a little judicious editing, had the capacity to be the best Gresham adaptation out there. Instead, it’s too bloated to really make an impact.

It's no coincidence that "lawyer" and "liar" sound so similar...

Continue reading

Scary Monsters and Super Freaks…

D’you know what would have been scarier than nothing?

What?

Anything!

– Bart and Lisa discuss Edgar Allen Poe’s The Raven, The Simpsons

The week before last, in reviewing Insidious, I made the observation that director James Wan made the mistake of “showing too much” in his horror film, and that movie itself suffered because it didn’t show any restraint in how it handled its creatures and monsters. The always wonderful Justin, in fairness, called me on my assertion correctly – who ever stated it was a rule that horror films can show too much? Surely it’s possible to show as much of something as you might want, provided you have enough talent and skill to do it well? Surely showing too much only becomes a problem when you aren’t skilled enough to deliver something genuinely terrifying?

Or is it something more primal? Is what you don’t see scarier?

Do I have a point?

Continue reading

Non-Review Review: Jay and Silent Bob Strike Back

Jay and Silent Bob is a movie that runs hot and cold from scene to scene. More a collection of random jokes set against an ever-shifting premise than a fleshed-out over-arching story, the film frequently fluctuates between brilliantly and subversively hilarious, and just a little bit awkward. While the randomness of Kevin Smith’s original Clerks was a large part of the appeal, the mish-mash approach doesn’t work so well this time around. Part of it is, perhaps, that this movie does clearly have a plot (a roadtrip to Hollywood), but I think it might also be a question of the characters involved.

While Jay and Silent Bob work well in supporting roles, it seems perhaps a bit much to ask them to carry their own movie. It’s a criticism Smith seems to accept, even including it in the movie itself. “Bluntman and Chronic and their stupid alter egos Jay and Silent Bob only work in small doses, if at all,” an anonymous on-line “militant movie buff” writes about a fictious movie to star characters modelled on the pair. “They don’t deserve their own movie.”

Well, at least he’s self-aware.

The latest in the Jay and Silent Bob cycle?

Continue reading

Non-Review Review: 1984

1984 is a solid adaptation of a classic novel, featuring a fantastic leading performance from John Hurt as Winston Smith. The movie (released to coincide with the year) suffered a bit at the time (and in retrospect) from not being the best adaptation of Orwell’s ground-breaking novel to make it the big screen in 1984-5 – being somewhat upstaged by Terry Gilliam’s masterpiece Brazil. While obviously not a direct adaptation of the novel (in fact, Gilliam has admitted he hadn’t even read the book at the time of release), the latter film explores the same core themes and ideas. However, virtually any film would pale in comparison when measured against a movie like Brazil (which ranks in my top ten films ever), and 1984 really deserves to be seen on its own merits.

Welcome to an edition of Big Brother where every room is a "Diary Room"...

Continue reading

Non-Review Review: Legion

Imagine The Terminator if you were substitute “heaven” for “the future” and you’d have a good idea of what this movie is about, right down to a mother offering a philosophical closing narration (okay, that’s Terminator II, but still…). Oh, and maybe drop the quality expectations a bit.

Okay, quite a bit.

Don't cross him...

Continue reading

Non-Review Review: Rollerball

MGM has been running a rather wonderful sci-fi season this past week, screening classics like Robocop along with smaller cult films, like Rollerball. One of the great things about having channels like this that it gives you a chance to sit down and watch what you wouldn’t normally – there’s something specially about stumbling across a gem on television that you might otherwise have missed. In fairness, Rollerball isn’t quite that gem, but it’s an entertaining high concept science-fiction ideas and some great direction, even if it does seem a little bit heavy-handed and cheesy from time to time.

Is Jonathon all burned out?

Continue reading

Non-Review Review: Return of the Living Dead

Return of the Living Dead is a fairly strange beast. Something of a black comedy spin-off from George A. Romero’s Night of the Living Dead, the film is a ridiculously campy exploration of trashy low-rent horror… and yet somehow has been picked up and embraced by popular culture. After all, this is the movie that introduced the idea that zombies weren’t just satiated by consuming large quantities of meat (most often from humans) – this was the film which introduced the idea of zombies stumbling forward, repeatedly droning “braaaaains!” It’s a concept which has been so throughly incorporated into pop culture’s definition of zombie (although it’s rarely the case, we still expect it and recognise it), so it seems strange that it came from a spoof.

No bones about it...

Continue reading

Non-Review Review: Crimson Tide

I love Crimson Tide. It comes from a time when, through my nostalgic eyes, Tony Scott could do no wrong. This was the nineties, when Scott was after directing the under-rated True Romance and on his way to helming the solidly entertaining Enemy of the State. Sure, there was also The Fan in there, but we really don’t talk about that. Part of the appeal of Crimson tide, beyond it’s wonderfully powerful basic premise, is the fact that concept could work as either a powerful Aaron Sorkin stage play, or as a bombastic Michael Bay production – the set-up is such that either approach is possible with the material. Scott manages to straddle the middle, offering a tense action thriller which isn’t afraid to ask a few probing questions about the nature of the chain of command and the morality of blinding following orders.

It's long and hard and... ugh, you get it...

Continue reading

Short Stories 2011: Frank Turner

Ronan from Swear I’m Not Paul asked me to pass this on. It’s a short film documenting life on The Road with Frank Turner, as the songwriter shares his own thoughts on his life’s journey, as filmed by James Henry. It’s an understated yet powerful little piece and well worth a look just for the honesty of Turner and the wonderfully sparse black-and-white photography from Henry.