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Non-Review Review: Enola Holmes

Enola Holmes is a movie with a lot of charm, anchored in a sense of playful enthusiasm and a winning central performance.

Adapted from Nancy Springer’s The Enola Holmes Mysteries series of novels, the basic premise of Enola Holmes is straightforward enough. The classic Victorian detective Sherlock Holmes is given a younger sister, who inevitably finds herself forced to navigate the wider world while solving mysteries and avoiding the best efforts of her older brothers to ship her off to a suffocating and restrictive boarding school where she might be taught to be a lady.

Make yourself at Holmes…

Enola Holmes moves quickly and cheerfully through its starting premise and central mystery, bouncing from one sequence to another with considerable grace. However, it’s lead actor Millie Bobby Brown who carries the film. Brown is probably best known for her work on Stranger Things and a prominent role in Godzilla: King of the Monsters, but Enola Holmes suggests a long and promising career ahead of the young actor. It is impossible to imagine the movie seeming as effortless without her at its centre.

In fact, Enola Holmes suffers most when it moves away from its protagonist and makes room in her story for less compelling (but more nominally “important”) characters that wind up sapping the film’s energy. Enola Holmes has a surprisingly slow start for a film that breezes along once it finds its footing, and that is largely because it is initially reluctant to give its central character the breathing room that she needs. Still, once the film gets past that, it is a highly enjoyable adventure.

Enola that look…

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