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The Spirit Archives, Vol. 11 (Review/Retrospective)

I have to admit that I feel a bit guilty for glossing over the World War II era of The Spirit. The era tends to get ignored because Will Eisner effectively handed over control of the strip to a variety of writers and artists while serving in the Armed Forces. The talent involved professionals like Jack Cole and Lou Fine, so it’s hardly as if it was neglected. Still, without Eisner’s passion driving the strip, it seemed to lose its way slightly. The aesthetic shifted even further the longer Eisner was away. Fans skipping from the first collection of post-Eisner work (The Spirit Archives, Vol. 5) to the work included here will see a radical change in style. While there was still a strong influence from Eisner, the comic simply didn’t look right. However, the differences extended deeper as well. On some primal level, The Spirit of the World War II era didn’t really feel right either.

Hounded by the Spirit of Will Eisner…

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Star Trek: The Next Generation – Justice (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

I’ve been harping on quite a bit about how too much of the first season of Star Trek: The Next Generation is trying to hard to be classic Star Trek, without acknowledging that the original series was the product of a very different society and outlook. You can’t literally map familiar beats and metaphors on a one-for-one basis and expect them to work perfectly inside a storytelling engine that is radically different. It’s easy enough to imagine Justice working as a classic Star Trek episode.

Indeed, it seems quite similar to The Apple, among others. However, it’s the differences that are telling, and it’s the differences that serve to take what might have been an entertaining piece of fluff from the sixties and turn it into a near-catastrophic misfire in the eighties.

“This show is about Riker trying to what an alien?”

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J. Michael Straczynski’s (and John Romita Jr.’s) Run on the Amazing Spider-Man – The Best of Spider-Man, Vol. 1-2 (Review/Retrospective)

It’s easy to forget just how iconoclastic that early parts of the new millennium were at Marvel. The comic company was in the midst of recovering from its bankrupcy, and was going throw a massive creative shake-up. Many would argue that the late nineties represented the company’s creative nadir, and there was a very definite sense of change in the air. Some of that change involved a radical restructuring of core concepts, placing them in the hands of more radical creators.

The early part of the last decade gave us Peter Milligan on X-Force, Grant Morrison on New X-Men and Garth Ennis on Marvel Knights: Punisher. It also saw a number of big-name creators working on these characters. Kevin Smith wrote the introductory arc of the new Daredevil book. While J. Michael Straczynski’s Amazing Spider-Man has a controversial and divisive legacy, it was a product of those times. While it was flawed even in its early days, it’s still a bold re-working of an iconic comic book mythos.

King of the swingers…

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Non-Review Review: Teen Wolf

Teen Wolf is quite possibly the single strangest werewolf movie I have ever seen. I would love to have been a fly-on-the-wall at that pitch meeting:

Teen movies are all the rage this year, sir.

And werewolf films have been trending up since The Howling.

Now if there were only some way to combine the two.

As the name implies, Teen Wolf is the story of a teenager who discovers that he has hair in places where he didn’t have hair before. Lots of places. The film does an… interesting job using a conventional movie monster as an exploration of teenage “otherness”, and I actually like the film’s second act is completely off-the-wall, but even the considerable charisma of Michael J. Fox isn’t quite enough to salvage a muddle mix of eighties clichés, knock-off eighties theme songs, and confusion about the movie’s rather basic “be yourself” metaphor.

Scott’s attempt to grow a beard has gone horribly wrong…

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Non-Review Review: Take Me Home Tonight

There’s something strangely charming about Take Me Home Tonight. I say “strangely” because I’m not blind to the movie’s many awkward flaws. I can spot the predictable plotting, the douchebag entitled protagonists and the shallow “high school crush” romance. None of these are any less conventional than the plot’s attempt to conceal saccharine romanticism with cheap lowbrow humour. I can see those problems with the film, but for some reason I think it works well in spite of them. I think the strongest aspect of Take Me Home Tonight is not the eighties setting (though that helps), but the sense that Topher Grace may have finally found his niche.

We can dance if we want to…

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Non-Review Review: Solaris

Can you tell me what’s happening here?

I could tell you what’s happening, but I don’t know if it would really tell you what’s happening.

– Chris Kelvin and Snow

Soderbergh’s Solaris is bold, challenging, brilliant, chaotic, unstructured, clever, obtuse, dense, frustrating, unsatisfying and fascinating. Frequently at the same time. The director’s adaptation of Andrei Tarkovsky’s incredibly dense science-fiction feature might not necessarily be for everybody, but there’s enough substance here for eager audience members to chew on. A film subscribing to the idea that less is more, it seems to take more joy in posing questions than in answering them. This will obviously frustrate those viewers who dislike that sort of ambiguity.

Well suited to this drama...

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Announcing m0vie blog: the book!

And it’s official, I am a published author. My book, Pass the Popcorn: A Movie Memoir of 2011, went on-sale from Amazon.com last night, and can be purchased for the low-low price of $1.22 ($0.99 + tax) by clicking here. It’s basically a collection of essays and articles I wrote for the site, collected in one place, from 2011 and earlier. It’s really just an attempt to take some of my essays on film and bundle them up in a way to maybe raise the profile of the blog.

While I’ve drafted a new introduction and revised some of the pieces, all the articles can be found in some way, shape or form on the blog. Still, if you like it, tell a friend, pass it on. Get it as a gift for the film nerd in your life. If it’s successful, I’ll put together another collection next year. If it isn’t, well, at least it was worth a shot. Even after tax, you’re paying less than 1c for every 600 words, so what do you have to lose?

The blog has always been tremendously personal, a place for me to share my hastily-formed poorly-articulated thoughts on the movie issues of the day. Nothing was too big for me to share a random couple of thoughts about it, nor was anything too small. I’m happy with that, and that’s what the blog, hopefully, will continue to be. A place for me talk randomly about incredibly esoteric movie stuff.

Anyway, it’s been a tremendous year for the blog, in terms of readership and popularity. Since I won the Irish Blog Award back in March, things have taken off, and I’ve just been delighted with how everything’s gone. So I’d like to thank everyone for their support and encouragement, and even just for reading. It was a great 2011. I’d feel guilty asking for a better 2012, but hopefully it can be just as good. All I can hope is that I can continue to improve as a writer and eventually justify the run of good luck I’ve been having.

Cheers,
Darren.

Grant Morrison’s Seven Soldiers of Victory: Frankenstein (Review/Retrospective)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. We’ve got a special treat for you this week, which is “Seven Soldiers Week”, so check back each day for a review of one of the Seven Soldier miniseries that Morrison put together.

Sometimes we all get too caught up in Morrison’s wonderful symbolism, mysticism and deeper meaning. Sometimes comic books don’t need to be anything more than a ridiculous premise executed in wonderful style. The covers to this miniseries tell you all you need to know, as does the opening splash page, featuring the monster striding into action as an off-screen character declares, “Die, Frankenstein, die!” You know you’re in for a wonderful high-concept action adventure which isn’t going try to be anything more than effortlessly cool. It’s moments like this which remind you, quite simply, that Grant Morrison loves comics, just as much as you and I do.

Words cannot describe how awesome this is...

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Donka: A Letter to Chekhov at the Gaiety (Review)

Donka: A Letter to Chekhov is a rather wonderful addition to the Ulster Bank Dublin Theatre Festival. Between this and the Absolut Fringe, theatre-lovers have been quite spoilt of late – I’m still looking forward to checking out Peer Gynt by Rough Magic in the next week or so. Donka: A Letter to Chekhov is a rather wonderful and imaginative little show loosely connected by vignettes inspired by or related to the works of Anton Chekhov, as written and directed by Daniele Finzi Pasca, who also wrote and directed Corteo for Cirque de Soliel. It’ really rather wonderful and magical.

All going accordian to plan...

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Non-Review Review: Harry Potter and the Philosopher’s (Sorcerer’s) Stone

So, here we are, back at the beginning. The first movie in the eight-movie cycle about the boy wizard with the distinctive glasses. Harry Potter – “the boy who lived”, as he is described – and his eventful six-year stay at Hogwarts, with one final story to wrap it all up. To be honest, the first movie does benefit a lot from the movies that followed, giving the film a lot of retroactive weight as you can see the plot threads thrown out and suggested to be developed later – the countless little set-ups deployed by Rowling to pay off down the line. Which is handy, I suppose, because otherwise the instalment feels just a little bit too slow and convoluted for its own good.

The series has a bit of difficulty getting off the ground...

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