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The Cautiously Conservative Cost of Film-Making In the Recession…

When it first became clear that we were in for a long recession, there was a lot of fear about what that would mean for cinema. With less money to go around, and the ever-present fear of financial disappoint, a lot of people speculated that it would lead to a serious downturn in the production and distribution of “indie” movies by the major studios, a concern validated by the closing of various speciality divisions within major studios. While it has undoubtedly gotten significantly harder to produce and sell independent film, one look at last year’s Best Picture nominees suggest that these little gems are doing relatively okay – with films as provocative as Black Swan, as alternative as The Kids Are All Right and as gritty as Winter’s Bone all making the cut. Still, if the indie apocalypse that was foretold hasn’t come to pass, I do have to wonder what the cinematic cost of the current economic climate might be.

Hollywood's taken the occasional slap on the wrist over the past few years...

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Non-Review Review: The Kids Are All Right

The Kids Are All Right is a charming and engaging little dramedy with a wonderful cast. It manages the wonderful feat of making an on-screen family seem “real” – there are any number of sequences in this which viewers will spot from years of family interactions. It’s an interesting study of how a strange “interloper” can have a surprisingly destablising effect on a family unit – how it all it takes is this one catalyst to bring all this unsung tension to the surface. But it’s never heavy or self-important. Sure, the ending is more than a little awkward, but the movie’s smart and funny enough to keep you engaged with it to the final reel.

And that’s saying nothing of the cracking David Bowie soundtrack? It has Won on it!

Paul gets a crisp reception...

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