Advertisements
  • Following Us

  • Categories

  • Check out the Archives

  • Awards & Nominations

Star Trek: Deep Space Nine – Field of Fire (Review)

Field of Fire is an oddly nineties piece of television.

All television shows are inevitably a product of their time. This was particularly true of the twenty-odd-episode-a-season shows produced during the twentieth century, subject to the brutal churn of a weekly production schedule. The production team needed scripts, which meant that the writers needed ideas. Inevitably, those ideas were drawn from the wider culture around them. As a result, television is often an interesting lens through which culture might be examined, a projection of how a given society sees (or perhaps wishes to see) itself.

The noblest aim.

Star Trek: Enterprise was inescapably a product of the War on Terror, caught in the gravity of the attacks upon the World Trade Centre. Star Trek: Voyager was undeniably a child of the nineties, driven largely be a sense of listless anxiety in the shadow the millennium. While Star Trek: Deep Space Nine could never be entirely removed from its cultural context, it still stood apart. The writers tended to draw their themes from history, rather than from current affairs, creating a Star Trek show that seemed to exist beyond its cultural moment.

Of course, there are exceptions. Field of Fire is that most nineties of television episodes, the serial killer psychological thriller.

Highly illogical.

Continue reading

Advertisements

Star Trek: Deep Space Nine – Facets (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Facets in more than a little muddled. It’s an episode that is all over the place. It’s a script that doesn’t seem to know what it wants to be, leaning in one direction and then another. The episode’s big plot point isn’t dropped until half-way through, and there are any number of points where the script offers a feint towards a plot that never quite develops. As befitting a story called Facets, this is an episode with quite a few different (and often conflicting) sides.

It’s a disjointed little story, and perhaps an effective demonstration of just how much trouble the producers were having with Dax as a character. And yet, despite all this, Facets works surprisingly well. This is likely down to the fact that – like Playing God and arguably Blood Oath before it – it feels like a Dax story that is as interested in the character as it is in the concept.

A little piece of herself...

A little piece of herself…

Continue reading