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Non-Review Review: The Tempest

This film was seen as part of the Jameson Dublin International Film Festival.

I have to admit that I have a soft spot for Julie Taymor’s Titus. It was a punk rock adaptation of perhaps Shakespeare’s trashiest play, and it was a fusion which just worked. The Tempest, on the other hand, is a very different beast. Far from being one of the Bard’s more easily forgotten plays, it has been one of his most highly regarded since its revival in the nineteenth century. It is, despite some outward cynicism, a far more optimistic and (dare I say it?) lighter piece than the orgy of death and destruction in Titus Andronicus. So Taymor’s skills aren’t quite as perfectly in step as they might be. That said, she’s still a remarkable director with a keen visual sense, and the movie manages to be engaging and entertaining, despite a few missteps.

It's a kinda magic...

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Non-Review Review: Agnosia

This film was seen as part of the Jameson Dublin International Film Festival.

There were a lot of reasons to get excited about Agnosia, one of the anticipated highlights of the Jameson Dublin International Film Festival. The movie was written by Antonis Trashorras, the writer of The Devil’s Backbone, perhaps the film that put director Guillermo del Toro on the map. In fact, this film comes with an endorsement from del Toro himself, which has quite a large amount of weight among the film community. However, Agnosia lacks the magic or elegance of del Toro’s work, with director Eugenio Mira (whose last work was in 2004) able to craft a stylish visual design for the film – but never quite able to create a sense of magic or engagement.

99 Schwarz ballons...

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Non-Review Review: Outrage (Autoreiji)

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “foreign noir” – a look at some of the neo-noir films from outside America.

This film was seen as part of the Jameson Dublin International Film Festival.

Outrage (also known as Autoreiji) is the latest film from actor/director/writer Kitano “Beat” Takeshi. He’s known to Western film fans perhaps best for his role in Battle Royale, but that significantly undersells his talent and his prolific career. He’s probably better known to wider audiences for his role as “Count Takeshi” on the gameshow Takeshi’s Castle (which became all the rage over here a few years ago). Outrage is essentially a Japanese crime thriller, and it follows the typical structure that one might expect from a conventional crime film – all the classic themes are there, from pride to arrogance to honour to betrayal – but what makes the film especially interesting is the way that it deals with the inherent paradox of the Japanese Yakuza.

Somebody's going to be dying their hair...

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Adventures in Wonderland…

I just won tickets to a preview screening of Alice in Wonderland as part of the Jameson Dublin International Film Festival. I’ll have my review up on Monday morning, but in the meantime, here’s how I won. It’s a reworked version of The Walrus and the Carpenter. Apologies in advance to Lewis Carroll, his estate, fans of the poem and people with taste.

Apologies in advance...

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