J. Robert Oppenheimer | the m0vie blog

340. Oppenheimer (#59)

Posted on July 22, 2023 by Darren

Hosted by Andrew Quinn and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, Christopher Nolan’s Oppenheimer.

Physicist J. Robert Oppenheimer brought quantum physics to the United States. However, as the Second World War rages, the scientist finds himself drafted on to the Manhattan Project, and set a single all-consuming task: the creation of an atomic bomb. Oppenheimer throws himself into his work, but can even the best scientific mind of his generation be fully prepared for the consequences of this revelation.

At time of release, it was ranked 59th on the list of the best movies of all time on the Internet Movie Database.

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Filed under: This Just In | Tagged: atomic, atomic age, auteur, certainty, Christopher Nolan, Cillian Murphy, director, ego, fame, film, J. Robert Oppenheimer, los alamos, Movie, nuclear bomb, oppenheimer, Physics, revolution, science, star, trinity, uncertainty, universal, vanity | Leave a comment »

The Spirit Archives, Vol. 14 (Review/Retrospective)

Posted on December 14, 2012 by Darren

The Spirit Archives, Vol. 14 finds Will Eisner back in full swing. The Spirit is truly firing on all cylinders, after taking about a year just to get everything lined up after the creator returned from military service. The success of this volume isn’t so much that Eisner is doing anything especially new or innovative. Rather, it seems like The Spirit has made a note of the aspects of the strip that work and has decided to concentrate on those stronger elements. This six-month stretch on newspaper strips doesn’t necessarily contain a record-breaking number of stand-out stories, but there are far fewer duds that we’ve seen before. There’s still a couple of Ebony-centred stories, but they’re few and far between. The other annoying kid sidekicks are mostly demoted to black-and-white one-line “P.S.” strips at the bottom of the page, and don’t intrude on the narrative.

The Spirit Archives, Vol. 14 isn’t so much about doing things better, as doing them more consistently.