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Non-Review Review: Profile

Profile is the latest entry in the so-called “Screen Life” series, produced by Timur Bekmambetov. It is also notable as the first entry in the series to be directed by Bekmambetov himself.

The “Screen Life” series is effectively a set of heightened genre movies that unfold through the screen of a laptop, narratives that unfold through chat boxes, Skype chats, playlists and file transfers. It’s an innovative and experimental approach to storytelling. While the results – Unfriended, Searching… and Unfriended: Dark Web – have varied in quality, the hook has always been fascinating. So much of modern life is navigated through screens that it is fascinating to see movies try to reflect that. Indeed, there’s an argument that movies like Unfriended play better on computer screens than they do in theatres or on televisions.

Translating the story to screen.

Profile adheres to the cinematic conventions of these sorts of stories, but it feels unnecessarily constrained in other ways. Each of the three previous films has been a genre exercise told through a computer screen. Unfriended and Dark Web are teenage horror movies, while Searching… is a delightfully schlocky nineties thriller reimagined through a web camera. In contrast, the subject matter of Profile is decidedly weighter. The film is based on the non-fiction book In the Skin of a Jihadist by Anna Ereklle, looking at online recruitment of young British girls by Islamic extremists.

This is an appreciably more grounded and more serious piece of subject matter than something like Unfriended or Searching…, and it’s interesting to see this cinematic language applied to this subject matter. After all, this is a digitally native story and a tale about the process of mediating the world through computer screens. However, Profiles suffers slightly from the need to frame this subject matter not through the lens of a web camera, but through the prism of genre, to transform something very real and very threatening into a heightened cartoonish thriller.

A new Skype of thriller…

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The X-Files – Revelations (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

Religion, eh?

In the mid-nineties, religion was a very difficult subject to navigate on network television. The so-called “culture wars” were in full swing at the middle of the decade, with religious values serving as a particularly brutal battleground. Religion is a very thorny and contentious subject. As recently as 2012, more than 40% of polled Americans stated they would not vote for an atheist candidate in a presidential election. Pete Stark would admit to being an atheist in 2007, becoming the first self-identified atheist in the United States Congress.

Mulder's got a taste for adventure...

Mulder’s got a taste for adventure…

As a result, it is very difficult to have a meaningful and thoughtful conversation about it. “There’s a man that I work with – a friend – and usually I’m able to discuss these things with him… but not this,” Scully confesses at the end of the episode. While undoubtedly a comment on Mulder’s stubborn refusal to engage with Scully on the topic, it also feels like a commentary on the awkwardness of any public discussion about religious beliefs or values, which was prone to become highly charged and contentious.

The conventional wisdom was that you didn’t talk about religion at the dinner table. It wasn’t much easier on television. This puts Revelations in a very awkward position.

A bloody business...

A bloody business…

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Non-Review Review: The Siege

The Siege has the benefit of becoming a lot more relevent in the past couple of years. Exploring the aftermath of a series of terrorist atrocities on New York City by Islamic extremists, the film isn’t exact a subtle exploration of the relationship between liberty and security – instead preferring to offer two-dimensional strawmen instead of characters or legitimate viewpoints. Still, despite its heavy-handedness, it does have some interesting insights into the world after it has been shaken to its core.

Washington under Siege...

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