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The X-Files – Dreamland I (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

It occasionally seems like the sixth season of The X-Files is having something approaching a midlife crisis.

It has gone through a fairly massive change in routine and lifestyle; the show recently pulled up sticks and moved to Los Angeles. It has gotten a lot more ostentatious; it looks to be spending a lot more money than it was before, and it is hanging around with a whole new caliber of guest star. It has reinvented itself completely; no longer the brooding and atmospheric show it once was, it is now downright goofy and silly. Old acquaintances would be forgiven if they had trouble recognising the show. And it’s perfectly understandable.

Back to back...

Back to back…

This is the sixth season. Dreamland I is the one-hundred-and-twenty-first episode of The X-Files. The show is well past what Chris Carter had originally planned, and well past just about any measure of success. Most shows are lucky to reach a sixth season, let alone come into the sixth season off the back of a summer film and with a great deal of security about the future. David Duchovny, Gillian Anderson and Chris Carter were all committed through to the end of the seventh season. There was even talk of a sequel to The X-Files: Fight the Future being released in 2000.

Dreamland I and Dreamland II just externalise that midlife crisis, using the classic “freaky friday” body swap set up putting Fox Mulder in a dead-end job with a family that hates him as Morris Fletcher tries to help the FBI agent grow up just a little bit.

"Yep. It's a little... out there."

“Yep. It’s a little… out there.”

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