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Batman and the Monster Men (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I really liked both of Matt Wagner’s Dark Moon Rising miniseries, offering a modern retelling of two classic Golden Age Batman stories, fit within the context of the Caped Crusader’s early career. I honestly don’t think that we get enough Golden Age nostalgia within DC comics – the focus of the recent wave of revisionism seems to have been the decidedly wacky and zany Silver Age. Still, between this and Grant Morrison’s Action Comics, perhaps we can start a trend. This is a story transitioning between Frank Miller’s iconic Batman: Year One and Jeph Loeb’s slightly more colourful The Long Halloween, built on the idea that Batman inhabits a comic book world – too much “realism” or too heavy a focus on “gritty urban crime” might rob the character of some of his appeal.

He sure knows how to make an entrance…

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Legends of the Dark Knight: Marshall Rogers (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I do appreciate these nice hardcover collections that DC are putting out, collecting the work of iconic artists on iconic characters. There have been a number of Legends of the Dark Knight and Tales of the Batman collections, and DC will soon be publishing an Adventures of Superman: Gil Kane collection. So it is great to have pretty much all of Marshall Rogers’ work on Batman collected in one nicely-sized hardcover for the reader to digest, especially considering the monumental impact that some of his work has had on the character and his mythology. That said, there are unfortunately some production issues with the hardcover that take away from the experience of having all these stories released in a high-quality format in one place.

Na na na na na na na… Batman!

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Batman: The Dynamic Duo Archives, Vol. 2 (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

DC’s archive line for their Silver Age Batman and Detective Comics line begins considerably later than it does for most of their other superheroes, including Superman, The Flash and Green Lantern. The Archives series are devoted to offering readers a chance to browse various comics from a character’s history in a chronological manner, often from the first book published featuring a character or at an appropriate point. For Batman, in the Silver Age, the point was deemed to be editor Julius Schwartz’s “new look” Batman.

The first collection of these comics showed potential. It was clear that the editor who had revived The Flash and Green Lantern was trying to pull Batman away from the wacky alien adventures of the fifties. While the creative teams hadn’t yet refined the darker avenger that would take root in the Bronze Age, it felt like a step in the right direction. Unfortunately, the second collection of the “new look” Batman and Detective Comics run feels like something of a regression, a step backwards rather than forwards.

“This looks like a job for… err… Batman, I guess!”

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Paul Dini and Dustin Nguyen’s Streets of Gotham – Hush Money, Leviathan, The House of Hush (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I’m a big fan of Paul Dini. He was perhaps the finest writer on staff for the superb Batman: The Animated Series and he wrote a superb run on Detective Comics (culminating in the rehabilitation of a modern villain in Heart of Hush). He’s one of few writers out there who genuinely has a firm grip on the characters that inhabit the world of Gotham. I was quite looking forward Streets of Gotham, the Batman title that Dini would be writing in wake of Batman R.I.P., promising a unique perspective on Gotham and its guardians. Unfortunately, the end result feels relatively slight, with the series never truly finding a comfortable niche, and bouncing around somewhat inconsistantly.

Batman could handle this in his sleep…

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Batman: The Dynamic Duo Archives, Vol. 1 (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

It’s very hard to believe, but there was a time when both Batman and Detective Comics were on the verge of cancellation. While the character had been one of the first major superheroes to emerge, and had a profound impact on many who followed, the fifties had not been kind to the Batman. When changes in the market forced the publisher to move away from the traditional crime stories, they tried to tell science-fiction epics. This approach actually worked quite well on Superman and Action Comics, as Superman leant himself to stories about aliens and other dimensions, but these elements felt somewhat out of place in a Batman comic book. In a last ditch effort to save the titles, editor Julius Schwartz was drafted in to revamp the character and his world, resulted in a “new look” version of the Caped Crusader who would inspire Adam West’s version of the character, but felt like something of a return to the character’s roots.

Na na na na na na na na…

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Gotham Central – On the Freak Beat & Corrigan (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

If you ask me, Gotham Central is the highest quality Batman title that has been published in quite some time – if not the most consistent Batman comic book ever published. These final two volumes contain the second half of Ed Brubaker and Greg Rucka’s celebrated forty-issue exploration of life within the Gotham City Police Department, providing one of the freshest and most compelling comic book stories ever told in either of the two major comic book publishers. Essentially the story of the ordinary men and women stuck in the superhero world of Batman, it’s a genuine comic book classic.

Taking a shot at the Batman…

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Grant Morrison’s Batman Incorporated: The Deluxe Edition (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

Criminals used to be afraid because they didn’t know where Batman was. Things are different now. Thanks to Batman Incorporated, I can tell you exactly where Batman is. Batman is everywhere.

– Bruce Wayne, Batman Incorporated #6

I’ll admit to warming to Grant Morrison’s gigantic Batman epic. Sure, I don’t think it ranks with All-Star Superman or New X-Men or even Seven Soldiers as the very best of the writer’s mainstream work. It’s still immensely fun comics. I’ll concede that I’m still only lukewarm on his initial continuity-heavy Batman run, but the combination of his Batman & Robin and his Return of Bruce Wayne were some of the most entertaining comics produced by a major comic book company in the past few years. (Certainly the only other mainstream book that could match Morrison’s energy was Paul Cornell’s severely underrated Action Comics run.) While Batman Incorporated never quite reaches those same pulpy highs, it is a massively entertaining and very astute pulp narrative featuring one of the most enduring pop culture creations of the twentieth century.

Batman and his Amazing Friends…

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Batman: Broken City (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I can’t help but feel like Brian Azzarello and Eduardo Risso were massively unfortunate when they were asked to write Batman: Broken City. The story was placed immediately following the breakout sales sensation that was Hush, a massive blockbuster epic written by Jeph Loeb and illustrated by Jim Lee, offering a whistlestop tour of Batman’s iconic selection of villains. Azzarello and Risso inherited the title from them with considerable hype. These were, after all, the two creators of the celebrated neo-noir comic book 100 Bullets, so they’d work their magic on the title, right? More than that, though, their arc seemed to consciously play up its similarities to Hush, revolving around Batman’s attempts to solve a central mystery while taking a trip through his rogues gallery. Understandably, fans and critics were taken by surprise when they got a seedy detective vibe instead of an action epic. I can’t help but wonder if time has been kind to this six-issue storyline.

The Devil in the Pale Moonlight?

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Peter Tomasi’s Run on Batman & Robin – Blackest Night: Batman (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

Okay, so it’s not technically a Batman & Robin book, only featuring Batman in the title, and it doesn’t feature Peter Tomasi’s Batman & Robin collaborator Patrick Gleason on the artwork. Still, Blackest Night: Batman feels very much like a trial run for the hand-picked successor to Grant Morrison’s acclaimed Batman & Robin run. (Arguably much like Blackest Night: Flash led into Geoff Johns’ second on-going Flash series.) While it’s hardly an exceptional three-issue tie-in to Geoff Johns’ massive Blackest Night event, it does show some hint of promise for the author’s forthcoming run on the main title.

Freeze, mofo!

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Legends of the Dark Knight: Jim Aparo, Vol. 1 (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

The game was old and alluring… but when the Batman and his beautiful ally, Wonder Woman, buy into a sweep stakes of danger and double-cross, they learn too late that their tickets are punched…

– introduction to Play Now… Die Later!

I’ll freely concede that older comics are a mixed bag, and that they’re certainly an acquired taste. As much as I might recognise the importance of certain classic runs on iconic character, reading comics even a decade or two old is a strange experience for me. I can appreciate the care and craftsmanship going into them, but I’m frequently distracted by the redundant thought balloons, the bizarre logic and quaint characterisation. I know that’s my problem, and I freely concede that. Sometimes, however, I come across a piece of pure old-fashioned awesomeness that almost makes my feel that nostalgia many comic book readers recognise.

Legends of the Dark Knight: Jim Aparo, Volume 1 is such a book, collecting a portion of the iconic Brave and Bold run featuring art by Jim Aparo and scripts by Bob Haney. It is insane. It is awesome. It is fun. It is incredible. I was reluctant to put down these delightful unrestrained Batman stories, and I frequently found myself pumping my fist in the air with excitement and… well, awe. It’s never going to be considered high literature, but Jim Aparo and Bob Haney may have mastered the old-school “comic book” artform.

This isn’t even the craziest thing that happens this run…

Some of the more wonderful “comic book moments” captured here include:

  • the Joker forcing Batman and a friend to fight to the death… or he’ll shoot a puppy!
  • Batman accidentally selling his soul… to Hitler!
  • the Atom climbing inside Batman’s skull… and operating his body like a JCB!
  • Batman saving the Constitution and the Declaration of Independence… while tied to the cowcatcher on a train!
  • Batman teaming up with Kamandi… in a future dominated by talking animals and modelled on Planet of the Apes!

If none of these produce even a hint of childish glee, I don’t know what to say to you.

Even this image cannot capture the awesomeness of this comic… They left out the bit where the Joker is coercing them to do this by threatening to shoot a puppy… that has life-saving anti-virals in its blood for a plague the Joker started… to kill off a henchman who might testify against him…

Note: the ever-wonderful Bat-guru Chris Sims has done a whole slew of posts about the awesomeness of this comic. Here, here and here are some highlights.

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