This is probably on a shortlist for the best Batman story of all time, alongside Frank Miller’s other definitive work on the character, The Dark Knight Returns. Whereas Millar focused on the eventual end of the character’s crusade against crime, here he focuses on the origin of the character. Expanding from the one-page origin which accompanied Batman #1, Miller brings his keen eye to Batman’s psychology, but also the world in which Batman functions. This isn’t the gothic construction of Tim Burton, but a grimy urban cesspool like Christopher Nolan’s. In the world that Miller carves out for the hero, he greatest opponents aren’t the disfigured freaks who would become his adversaries, but the architecture of greed and corruption that defines Gotham.

Imagine if it had been a seagull that crashed through his window that fateful night...
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