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Is Picking a Bad Guy the Biggest Hurdle In Getting The Flash to Screen?

The rumour is that the Flash is the next Green Lantern. By which I mean the character looks set to move to the centre of DC’s universe – on panel and on screen – in the next few years. Geoff Johns relaunched Hal Jordan with Green Lantern: Rebirth about four years ago and since then he’s guided the character through arguably two of the best received event comics of the past decade (Sinestro Corps War and Blackest Night), launched a direct-to-DVD animated feature and is getting the big screen treatment from Martin Campbell, the man who saved Bond (twice). All this from what a character who was a second stringer a few years ago. It appears that the Flash is on a similar trajectory. A relaunch of the comic book was completed last month with the final issue of Flash: Rebirth and there are rumours of a big screen treatment already in the works. Part of me wonders, however, if the character’s foes are ready for the big screen?

They're either a bunch of supervillains, or a very committed eighties concept band...

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Superman: Red Son

Look! Up in the sky! It’s a bird! It’s a plane! It’s Superman! Superman: Strange visitor from another world! Who can change the course of might rivers, bend steel in his bare hands and who, as the champion of the common worker, fights a never-ending battle for Stalin, socialism and the international expansion of the Warsaw Pact.

Let out enemies beware: the is only one super-power now.

– Russian propaganda broadcast

I’ve remarked before, and many others have remarked as well, that Superman is a very tough character to write for, particularly after seventy years of publication. This is a fact reflected by the difficulty even comic book aficionados have in picking the iconic Superman stories – the essential collections, as it were. Undoubtedly Alan Moore’s work on the character would be collected (handily in Whatever Happened to the Man of Tomorrow?), as would Grant Morrison’s All-Star Superman. I’m fairly sure that this collection would also make the shortlist. As far as interesting and insightful takes on the character go, Mark Millar has what might be termed a “doozie” here: what if Superman had landed in Russia? What if instead of fighting for “truth, justice and the American Way”, he fought for Mother Russia? It’s certainly an intriguing idea, and Mark Millar’s execution is near-flawless as well.

Well, of course the balloon is red...

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Batman 3 and Superman Reboot Confirmed…

Wow. It looks like getting Nolan to sign on for Batman 3 wasn’t the hard part. It was getting him to sign on to be the brains behind the new Superman reboot. Yes, there’s a new Superman reboot coming. Guess DC is finally doing something with the Man of Steel. Looks like it’s no longer just fanboy hopes riding on Christopher Nolan – it’s the future of DC comics on film.

Forget Clark Kent, Christopher Nolan is the real Superman...

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Alan Moore’s Run on Swamp Thing – Saga of the Swamp Thing (Books #1-2)

Before Alan Moore was the superstar writer of The League of Extraordinary Gentlemen, V For Vendetta, Watchmen or even From Hell, he was a writer at DC Comics. While he wrote some truly fantastic Superman stories (collected in the well recommended deluxe edition of Whatever Happened to the Man of Tomorrow?), he was most famously associated with a run on Swamp Thing. When he took over writing duties on the title, Swamp Thing was a series on the verge of cancellation. Which meant that he had a huge amount of freedom to work on the title, with the capacity to do just about anything he wanted.

It isn't swamped with continuity...

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Geoff Johns’ Run on Green Lantern – Secret Origin, The Rage of the Red Lanterns, Agent Orange & Emerald Eclipse

It’s no secret that I’ve been greatly enjoying Geoff Johns’ run on the Green Lantern title (along with seemingly everybody else). After successfully resurrecting a fallen hero, reestablishing the various traits of the Green Lantern mythos and giving us a blockbuster summer event, Johns proceeds to make the final moves on the chessboard towards what is likely to be the climax of his saga. But whereas his initial set-up might have suffered slightly from the fact that it was mainly a case of getting a disruly house in order, here Johns has enough elements flowing from his previous collections to make these chapters in the story seem interesting in their own right.

It's like a rainbow of interstellar warriors...

It's like a rainbow of interstellar warriors...

Note: I am aware that Emerald Eclipse is the work of Peter Tomasi – who also worked on some of the alternating chapters of Sinestro Corps War. I would review his work on Green Lantern Corps separately, but it seems that this is the first collection of his work put out in hardcover (for shame). So I’ve bundled my thoughts on Emerald Eclipse in here. Going forward, if DC put out Green Lantern Corps in hardcover trades, I should be able to look at them separately.

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Grant Morrison’s Run on Justice League of America: The Deluxe Edition, Vol. 1-2 (Review/Retrospective)

“Never underestimate the sentimentality of a Scotsman, Clark.”

– Batman knows how much Morrison likes comics

‘Tis the season for ever-so-slightly oversized hardback editions, what with DC reissuing the entire run of Starman and this re-release of the relaunch of the original superteam. The fact that they can put creator extraordinaire Grant Morrison’s name on the cover surely isn’t a problem either. Nor is the fact that the book (under his stewardship) was one of the best selling comic books of the nineties. So, what aren’t I getting here? Don’t get me wrong, it’s a perfectly adequate book (that isn’t necessarily as smart as it thinks it is), but it’s not gold. It moves at the speed of the Flash and seems intent to throw ideas at the reader at headache-inducing speed. It’s solid, reliable and it manages to recreate the zany madness that defined the group, but it never seems to completely transcend it. And it just keeps trying.

Rocking your world...

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The Batman/Superman Dilemma

It began simply enough. “You like Batman better than Superman,” my girlfriend asserted over dinner a few weeks ago. I couldn’t dipute the claim, but mounted a fairly swift defense of the character as “misunderstood”. That prompted an incredulous response which suggested that I “like Batman better because he’s darker”. That’s an interesting assertion. I don’t believe it’s true – certainly not in my case at any rate. I think the public’s perception of Batman as a more enduring, more fascinating and all round ‘cooler’ pop culture icon that the Man of Steel stems from a whole host of factors, that can’t be succinctly summed up with an observation that one is dark and gritty and the other is light and fluffy. So, why are we fonder of the Caped Crusader that the big blue boy scout?

batsupe

Notice how Superman is trying to look half as badass as Batman...

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The Starman Omnibus, Vol. 3

What makes a hero? Is it a cosmic rod and a kick-ass pair of glare-reducing goggles? Is it being a “grim avenger full of hate for the bad” (one of Robinson’s more subtle jabs at Batman during this run)? Or is it simply “doing what’s right because it is”? Is it the honest desire to make the world a better place with “no vengeful motivation” or “nothing ulterior”? We may be getting ahead of ourselves here, but James Robinson really digs into what constitutes a ‘true’ hero here, looking at the classic simplistic conception of the superhero, rejecting the violence of the anti-hero or the deconstruction which has crept into comics over the past few years (mostly in lieu of character development or to seem darker and edgier). Is that what a hero is?

I don’t know, but I find myself agreeing with Batman. No matter how you cut it, Jack Knight is a hero.

A knight in shining armour...

A Knight in shining armour...

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The Starman Omnibus, Vol. 2

Now we’re getting into it. It seems that Robinson has got all the setup necessary to move the story forward out of the way (or at least the bulk of it) and that Tony Harris has finally found his feet on the series. This collection moves a lot more fluidly than the last one – partially due to the fact that it closes as many threads as it opens, but also because Robinson is no free of having to establish the series’ premise and can now focus on the stories that he wants to tell (almost, we’ll come to the exceptions). Those stories are – by and large – reflective studies of what is known as “The Golden Age” of comic books: the 1930s and 1940s. What happened to the world between then and now? What happened to the heroes? Was it ever really the kinder gentler place we recall?

christmasknight

And it's our first Chrismas-themed image... Earlier every year...

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The Starman Omnibus, Vol. 1

I’m not quite sure what to make of the collection. I know it’s the first of six volumes which will include the entire 80-issue run of James Robinson’s reimagining the concept (plus extras) and I know that it’s the opening chapter of a much more expansive story. And I know that – as a story – it is structured in a much more dynamic and interesting way than most other superhero adventures. But I’m not feeling it. At least not yet.

jackknight

No hero here(o)...

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