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New Escapist Column! On “Wednesday” and the “Superherofication” of Everything…

I published a new In the Frame piece at The Escapist this evening. With the massive success of Wednesday on Netflix, it seemed like a good opportunity to take a look at the show in the context of larger pop culture trends.

Wednesday is an addition to the larger Addams Family franchise, focusing on the family’s eldest child. The show is built around the decision to send Wednesday to an elite private school for freaks and monsters, “Nevermore Academy.” The series obviously riffs on the genre conventions of young adult drama, particularly the high school show. However, it is also notable for leaning into another inescapable trend in contemporary pop culture. At its core, Wednesday is a superhero show.

You can read the piece here, or click the picture below.

The Flash – Some Things You Can’t Outrun (Review)

So, I’m considering reviewing this season of The Flash, because the pilot looks interesting and I’ve always had a soft spot for the Scarlet Speedster. I’m also considering taking a storyline-by-storyline trek through the 1987-2009 Flash on-going series as a companion piece. If you are interested in reading either of these, please let me know in the comments.

The Flash is a show that can withstand a certain amount of cheese. After all, it is a television series about a character dressed in a red jumpsuit who can run faster than the speed of sound. There is going to be a certain amount of cheesiness baked into the premise by default. City of Heroes and Fastest Man Alive managed to skirt along the edge of the show’s threshold of cheesiness. Some Things You Can’t Outrun just jumps right on over that threshold.

Some Things You Can’t Outrun is the show’s first misfire. It’s the first time that the show has been written by anybody other than Andrew Kreisberg & Geoff Johns, and the first time it has been directed by anybody other than David Nutter. It feels like there’s something of a learning curve here, as Some Things You Can’t Outrun doesn’t work on multiple levels. The show seems to take forever to get going, is hampered by a fairly weak guest star, and weighed down by cringe-inducing dialogue.

Let's not pop the champagne that fast...

Let’s not pop the champagne that fast…

Balancing cheesiness and earnestness will by one of the biggest challenges to The Flash, as the show has to figure out how to strike the best balance between the inherent goofiness of the character and the demands of a prime-time network drama show. City of Heroes and Fastest Man Alive seemed to suggest that the show had already got a good grip on this delicate equilibrium. Unfortunately, Some Things You Can’t Outrun struggles to be light-hearted without being cheesy, and earnest without being angsty.

There is a sense that the show has hit its first speed bump.

A gas time...

A gas time…

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