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Non-Review Review: The Canyons

The Canyons struggles to surmount the weight of productions stories bearing down on it. Paul Schrader’s latest film was famously the subject of a 7,000-word article in the New York Times documenting the trials and tribulations behind the scenes. In a way, these troubles made the film somewhat larger-than-life, turning it into one giant attempt at career resurrection for director Paul Schrader and lead actor Lindsay Lohan.

Given the film’s much publicised sexual content (and the decision to cast pornography actor James Deen in the lead role), there’s a sense that this could be Lohan’s Last Tango in Paris, a bold and blistering performance from a once-respected talent eclipsed by years of behind-the-scenes gossip and idle chatter. Ironically, it’s none of the established talent that impresses with The Canyons. Bret Easton Ellis’ story feels like a shallow pastiche of Ellis-ian touches, while Schrader’s direction is intrusive and overwhelming. Lohan shows flickers of honesty and risk-taking, but is lost in the shuffle and the hum-drum plotting.

In contrast, it’s relative newcomer (as much a man with a filmography containing over 1,000 titles can be a newcomer) James Deen who makes the strongest impression as a surprisingly efficient Ellis-ian protagonist.

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