Bryan Cranston | the m0vie blog

Just Not My Hype of Thing: Countdown to Teaser Trailers, Hype Build-Up and Other Pre-Release Concerns…

Posted on April 5, 2012 by Darren

There is a tendency to romanticise the past, to engage in nostalgia for an era that never really was. Still, I can’t help but wonder if the internet has been a bit of a mixed blessing for movie fans looking forward to the next big Hollywood release. Sure, it’s full of commentaries and interviews and trailers. Occasionally, a film like Tron: Legacy or The Dark Knight will do something utterly wonderful to grab the attention of various film fans. However, it also feels, sometimes, that there’s a conscious attempt to push the hype machine into overdrive. I have no problem with anticipation, but I think making a teaser trailer for an actual trailer or even staging a countdown to a release date of a trailer might be a bit much, even to me.

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Filed under: Movies | Tagged: arts, August, Bryan Cranston, dark knight, hollywood, kate beckinsale, Movie, Teaser campaign, tim burton, total recall, trailer, trailers | 6 Comments »

My Best of 2011: Drive & Neon Noir…

Posted on December 31, 2011 by Darren

It’s that time of the year. To celebrate 2011, and the countdown to 2012, I’m going to count down my own twelve favourite films of the year, one a day until New Year’s Eve. I’m also going to talk a bit about how or why I chose them, and perhaps what makes this list “my” best of 2011, rather than any list claiming to be objective.

Drive is number one. Check out my original review here.

If I drive for you, you give me a time and a place. I give you a five-minute window, anything happens in that five minutes and I’m yours no matter what. I don’t sit in while you’re running it down; I don’t carry a gun… I drive.

Nicolas Winding Refn’s Drive isn’t a revolutionary film. It isn’t bold or original or highly inventive. Instead, it’s just a wonderfully effective neo-noir with its vibrant colours and synth soundtrack calling back to crime films of the eighties, featuring a confident performance from Ryan Gosling as the archetypical male crime lead. Gosling is strong, stoic, silent, yet strangely sensitive as the eponymous stunt driver, who moonlights with various illegal extra curricular activities. Here, Refn manages to out-Mann Michael Mann, producing a film that seems more like the spiritual successor to Miami Vice than Mann’s own film of the same name. It’s a brutal, brilliant and stunning film. And, while it faced stiff competition from the second and third films on this list, it’s with some confidence that I recommend it as my favourite film of the past year.

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Filed under: On Second Thought | Tagged: best film of 2011, best of 2011, Bryan Cranston, Carey Mulligan, Drive, miami vice, michael mann, my best fo 2011, my best of 2011, my favourite films of 2011, Nicolas Winding Refn, Ryan Gosling, Tinker Tailor Soldier Spy | 8 Comments »

Non-Review Review: Contagion

Posted on October 13, 2011 by Darren

It’s somewhat ironic that the biggest fault with Contagion is that it’s not nearly clinical enough. Soderbergh’s exploration of the impact of a mass pandemic actually works best when the director pulls back to give us a high-level overview of a society collapsing, the individual lives reduced – appropriately enough – to microscopic cells in a larger organism in what might be its death throes. It’s these sequences and shots that are brilliantly effective, demonstrating the systemic and group dynamics that enable and facilitate the spread of a deadly bird flu variant, while the more intimate moments feel awkward and shoehorned in, never afforded enough space to develop character or plot lines. Still, if you pull back and look at the big picture, Soderbergh’s latest effort is an engaging ambitious disaster movie.

One sick picture...

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Filed under: Non-Review Reviews | Tagged: bird flu, Bryan Cranston, Contagion, disease, film, films, Gwyneth Paltrow, hollywood, Horror film, Jennifer Ehle, jude law, kate winslet, laurence fishburne, matt damon, Movies, review, roland emmerich, Soderbergh, Steven Soderbergh | 6 Comments »

Non-Review Review: Drive

Posted on August 17, 2011 by Darren

This movie was seen as part of Movie Fest, the rather wonderful film festival organised by Vincent and everybody else over at movies.ie. It was well worth attending, and I’m already looking forward to next year. Good job all.

Drive took home Best Director at the Cannes Film Festival, and it’s easy to see why. This pulpy retro crime thriller is an intense joyride featuring what might hopefully be a long over-due star-making role for Ryan Gosling.

Gosling has an impressive body (of) work...

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Filed under: Non-Review Reviews | Tagged: Albert Brooks, arts, Bryan Cranston, cannes film festival, Carey Mulligan, Clint Eastwood, Drive, drive (2011), drive (film), film, Film festival, france, Lacemaker, los angeles, Madame Bovary, miami vice, Movie, Movies, Nicolas Winding Refn, non-review review, Piano Teacher, review, ron perlman, Ryan Gosling, United States | 11 Comments »

Non-Review Review: The Lincoln Lawyer

Posted on July 27, 2011 by Darren

I’m a sucker for a good old-fashioned criminal law ethical dilemma. I honestly think it was Primal Fear that sent me rushing off to law school, with its wonderful twisty plot about the relationship between innocence and guilt, lawyer and client in the criminal justice system. The Lincoln Lawyer isn’t quite as strong, but it’s certainly a worthy addition to one of the oft-ignored crime drama subgenres, anchored in superb central performances and a powerful little hook.

He rests his case...

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Filed under: Non-Review Reviews | Tagged: A Time to Kill, bob gunton, Bryan Cranston, crime drama, lawyers, legal thriller, Lincoln Lawyer, Marisa Tomei, Matthew McConaughey, non-review review, review, Ryan Phillippe, william h. macy | 4 Comments »

Non-Review Review: Larry Crowne

Posted on July 7, 2011 by Darren

Larry Crowne isn’t a terrible movie, but rather a frustrating one. Written by, directed by, and starring, Tom Hanks, the movie seems to want to be a romantic comedy skewered towards older and more mature viewers, which is a great idea – not only because so few movies cater to that demographic, but because the few comedies that do have been proven successes. The audience is there, and it’s a great idea to unite Julia Roberts and Tom Hanks, the king and queen of the classy nineties rom-com in a film that might have a more considered and reflective edge over most other romantic comedies. Unfortunately, the movie is so ridiculously pedestrian that it’s hard to work up any excitement. If the movie, rather than the character, were doing the college courses in the film, it would get graded “must do better.”