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Lex Luthor: Man of Steel (Review)

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way.

Brian Azzarello and Lee Bermejo worked together on Joker, the rather wonderful reinvention of the Clown Prince of Crime which happened to almost perfectly synch up with the release of Christopher Nolan’s The Dark Knight. However, the pair had worked together before on a very similar story – an attempt to offer a more in-depth look at another iconic comic book villain. Lex Luthor: Man of Steel was originally released as a six-issue miniseries, but it has now been released as a graphic novel branded only Luthor, in an attempt to cash in on the success of the pair’s stand-alone Batman novel. In the form of a lovely hardcover with the covers relegated to the extras at the end, it actually makes quite a compelling read.

He needs to Luth-less to win this...

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Batman: The Return of Bruce Wayne (Review)

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way. In honour of the Scottish scribe, I thought I’d review the latest chapter in his on-going Batman epic.

It’s a testament to writer Grant Morrison how much I enjoyed his weird and fantastical six-chapter “Batman lost in time” adventure epic. Between this and his superb run on Batman & Robin, Morrison might have redeemed himself for the mess that was Batman R.I.P. That said, the collection isn’t for everyone, but it marks a rich exploration of the evolution of the Batman archetype through his various iterations – a meta-textual look at the elements which make Batman who he is, and why those elements are important to him. It also, of course, features Batman in a sword fight with Cthulhu.

You know you’re reading Grant Morrison’s Batman when something like this happens…

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Gotham After Dark: Batman Noir

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “comics noir” – noir filtered through comic book panels.

More than any other mainstream superhero, Batman is strongly linked with the film noir tradition. Dating back as early as his first appearances, straight through to Christopher Nolan’s The Dark Knight, the Caped Crusader has always inhabited a world which seems as fragile and broken as any noir protagonist. Just because he trades a trench coat for a cape (which, you’ll note, he makes a point to wear around him rather than just behind him) and a fedora for a cowl, don’t underestimate Bruce Wayne’s flirtation with the darker side of cinema.

The Dark Night?

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The Strange Case of Hugo Strange: Robin Williams in the Dark Knight Rises?

You’d imagine that the announcement that Tom Hardy and Anne Hathaway would play Bane and Catwoman in The Dark Knight Rises might have put a bit of dampener of cast speculation for Nolan’s superhero blockbuster. You would have been wrong. The latest rumour coming out is that Robin Williams has been tapped to play Dr. Hugo Strange. I’d normally dismiss this the way that we dismiss all those Joseph Gordon Levitt or Johnny Depp as the Riddler rumours, but I figure it’s an interesting enough idea to merit discussion.

By the way, in case you need an introduction to Hugo Strange, here’s the trailer for the upcoming Batman video game Batman: Arkham City, in which Strange is voiced by Corey Burton “doing a Christopher Lee” and put in a very Nolan-esque setting. Give it a watch.

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Venom Optional: Early Thoughts About Christopher Nolan’s Bane…

When it was first announced last week, the choice of Bane as a Batman villain seemed a little… odd. I had reckoned that Nolan might opt for a modern villain who had yet to appear outside of comics or would return to a classic Batman villain, but I didn’t reckon he’d pick a modern villain who had already appeared on the big screen. Though I honestly doubt we have to worry about Nolan rehashing Batman & Robin, he seemed an odd choice for the sequel’s villain. However, after giving it some thought, he doesn’t seem such a bad choice. The fact that Tom Hardy is playing him certainly helps.

I'm kinda glad Nolan stayed away from the big guns...

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A Tale of the Batman: Gotham By Gaslight (& Master of the Future)

After spending the tail end of last year looking at the tangled inter-continuity crossovers at Marvel, I thought I’d spend January looking at some of the looser “out of continuity” tales at the major companies.

Gotham By Gaslight is an out-of-continuity tale which imagines Batman as the protector of a Victorian-era Gotham City, pitting the detective against none other than Jack the Ripper. It’s an entertaining little story which has a bit of fun with its premise, while managing to concisely boil the Dark Knight’s characteristics down to their core components. It’s an efficient tale which works quite well on its own merits, but has subsequently been overtaken by the hype surrounding it.

Making headlines...

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Batman Beyond: Out of the Past (Review)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. This is the last post of the week, and so I thought I should focus on where it all started, with the animated Bruce Wayne.

I don’t think Batman Beyond gets the credit that it so sorely deserves. It was really the first time that it was explicitly acknowledged that Bruce Wayne couldn’t be Batman forever – that, unlike so many other members of the DC pantheon, the character was a mere mortal who would pass away and that he couldn’t wear the cowl forever. The animated television show was the first to wonder what would happen to the concept of Batman, if Bruce couldn’t do it anymore. Would the hero die out and fade from memory? Or would he live on, somehow, enduring forever?

Batman always was a showman…

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Batman: Dark Victory

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. We’re winding down now, having worked our way through the nine animated features, so I’m just going to look at a few odds-and-ends, some of the more interesting or important episodes that the DC animated universe has produced. Earlier today we looked at the Emmy-winning Robin’s Reckoning, so I thought we might take a look at the comic book origin of Robin that it inspired.

“And while the Maronis and the Falcones have often been bitter rivals, they all now share a common enemy,” Batman narrates at one point in the sequel to The Long Halloween“Extinction.” Dark Victory is the story of the death of “the gangster element of Gotham City” as the organised crime families attempt one last struggle against the emerging freaks. It closes the book on the story threads that Frank Miller introduced in his revision of Batman’s origin in Year One, which continued through Loeb and Sale’s The Long Halloween (which itself provided the basis of Christopher Nolan’s The Dark Knight). The book serves as an origin story for Dick Grayson, and thus offers a nice bookend for the early years of Bruce’s crimefighting career.

Face the facts...

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Absolute All-Star Superman (Review/Retrospective)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. With All-Star Superman confirmed as the next animated DC feature, I thought I’d take a look at Grant Morrison’s original comic book story. In case you haven’t noticed, it seems the DCAU guys are big Morrison fans.

Doomed Planet.

Desperate Scientists.

Last Hope.

Kindly Couple.

Superman.

– Grant Morrison reduces perhaps the most iconic origin story down to fewer words than this synopsis, …Faster… (Chapter 1)

I have to admit, nothing quite psyches me like holding a Grant Morrison book in my hand – save maybe holding an Alan Moore book in my hand. Sure, I might not love what he’s writing and it might not necessarily be the most complete narrative experience that could have been provided, but I always want to read it again after I’m done – even if I hated it. As a writer, Morrison can crank out crazy-yet-clever concepts like nobody’s business, finding a way to put a new slant on an old piece of mythology or making a change seem like a logical extension of what came before. All-Star Superman is perhaps his most widely respected work, an attempt to boil the iconic Man of Steel down into twelve easy-to-disgest chunks, for new and old fans alike. It’s a stunning piece of comic book literature and perhaps the closest experience one could have to holding the quintessential elements of Superman in your hands.

Last sun of Krypton…

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Justice League – Maid of Honour

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. With the review of Wonder Woman earlier today, I thought I’d take a look at one of the better Wonder Woman episodes of the DC animated universe.

While Batman: The Animated Series leaned more towards noir crime stories or gothic tragedies, and Superman: The Animated Series favoured high-concept science-fiction and space opera, Justice League offered action adventure stories, typically told in two or three half-hour episodes for a somewhat grander scale than most of the episodes of the earlier series allowed. In particular, Maid of Honour is essentially a superhero taken on a quintessential Bond film.

They share quite a Bond...

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