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Why Hollywood Doesn’t Make Smarter or Better Movies…

I really shouldn’t be too surprised at this, but here’s an excerpt from an interview with director Frank Darabont on looking for a study to produce his film version of Fahrenheit 451:

“I actually had a studio head read that script and say: ‘Wow, that’s the best and smartest script that I’ve read since running this studio but I can’t possibly greenlight it’ I asked why and he says ‘How am I going to get 13-year-olds to show up at the theater?’ And I said “Well, lets make a good movie and I bet that will take care of itself.”

– Frank Darabont

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Whatever Happened to Blockbusters with Brains? I’d Settle for Heart…

The early reviews for Transformers 2 are in, and the Irish public seem to have more-or-less unanimously spoken (based solely on my own personal experience and those around me). It’s a mindless, stupid, soulless action movie that seems to propel itself forward not by the strength of its plot or by any particular arc, but merely by the force of its explosions. It manages to be dumber than the first film, which (in fairness to it) benefited slightly from a quirky sense of humour. As I sit here an dwell upon the pretty depressing reality that this may be the second biggest hit of the summer – never underestimate Harry Potter – I need to get my mind off that thought. Blockbusters weren’t always this stupid and loud and pointless, were they?

Meet Devastator, he's got the cajones to be a big summer baddy. I wish I were making that up...

Meet Devastator, he's got the cajones to be a big summer baddy. I wish I were making that up...

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Avatar – Hollywood Continues to Break New Ground with Blockbusters

We’re still months away from a release date for Avatar – though there are rumours of a trailer coming soon in front of Transformers 2 (the most interesting talk I’ve heard about that particular film) – but things are still very quiet. All we know about the plot is that it is a Pocahontas-style narrative, with one of a bunch of exploitive explorers “going native”. We know that t will be in 3D – apparently mindblowing 3D. We know that one of the reasons that the movie has waited 14 years to get made it because Cameron was waiting for the technology to do it justice. And we know that – according to early word of mouth from insiders – he has succeeded. I have to say, I am quite eagerly anticipating this film. However, I find Hollywood’s new-found love of innovations within major blockbusters fascinating, given the traditional cautious conservatism of the studios.

Wow, Cameron really has a thing for giant walking hulks of metal, doesn't he?

Wow, Cameron really has a thing for giant walking hulks of metal, doesn't he?

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What Kind of May Has it Been?

I’m off on holidays for the next few days, so you won’t hear from me until next weekend. I just thought I’d have a very quick look at how the “now arriving a month early” summer box office season is going so far. Back at the start of the month I predicted a massive summer, even by Hollywood’s standards. Would I care to revise my estimates, one month in?

Keep on Trekkin'

Keep on Trekkin'

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It was the summer of 2009…

Lately I’ve taken a bit of interest in Box Office numbers – I figure that might distract me from the fact Ryan Tuberty is hosting the Late Late. And looking at the few months ahead of us, I can see this being a very big summer for the US box office. In fact, I can see the film industry beating the recession with a large stick (cinema generally does quite well during recessions as it’s well, cheap), thanks to a fairly epic and broad lineup of blockbuster films.

It seems that just about every film this year is a sequel or prequel. Some (Angels & Demons) are both – it’s complicated (the book is a prequel the film is a sequel). We’ve had a relatively strong introduction to the season with the two prequels on offer. Neither Star Trek nor Wolverine broke any major records (though the Imax thing is pretty neat, as is the biggest second-week in May ever). I can see Star Trek having the legs to last in the background at least a month (which, given the onslaught of bigger movies and the disappointing staying power of other would be blockbusters, is really something).

Even before we reach the end of the month, we’ll have the second Dan Brown film, which can’t do too badly with a cast like Ewan McGregor and Tom Hanks and a cult following among a slightly older demographic usually ignored, the fourth Terminator film, which should do big business despite all the reasons that geeks have to worry, and the kid-friendly A Night at the Museum. Rounding off the month’s smaller (pbut possibly slow-burning) releases are Pixar’s Up and Sam Raimi’s return to cult horror with Drag Me to Hell. Again, neither should set opening weekend alight, but I’d expect a decent amount of business from either or both.

Then we have the traditional summer months. Summer movies have been creeping in earlier and earlier (Watchmen was arguably better suited to a summer release; Iron Man last year set the official start-of-season bell back at least a few weeks), but your meat-and-potatoes are here. These are the movies that cannot possibly fail, they are just that wired-in to cheesy pop sentiment. Michale Bay will confirm his title to the throne of summer blockbusters with a brainless sequel to a feature-length toy commercial with Transformers: Revenge of the Fallen, but even he will likely have to stand in the shade created by what most commentators have settled on as the biggest money-spinner of the year, Harry Potter and the Half Blood Prince. The series has built in devotees that Star Trek can only dream about, and they will be out in full force along with any parent looking to entertain a child over the summer months. This and the fact that my sources within the fan community tell me this is the best book points to a right to print money.

I think that GI Joe: The Rise of Cobra may falter as a brand with relatively little name recognition, despite the most over-qualified cast ever – Christopher Eccleston, people! On the other hand, I really hope that Michael Mann’s Public Enemies can do at least respectably, as the man generally delivers and has an amazing cast at his disposal.

All that said, I wouldn’t expect anyone to dethrone The Dark Knight or Titanic. I just think that culminatively the box office should be huge, but it could hugely backfire and lead to blockbuster fatigue, though I doubt it. It’ll be interesting to read the end-of-year numbers.

After that there’s the lonely Autumn followed by the glut of awards-bait. I’m already hyped about some of the movies we won’t be seeing on this side of the Atlantic for another nine months, but I’ll talk about them some other time.