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Non-Review Review: Thunder Force

There is a recurring joke in Thunder Force about how one character cannot tell a joke. It feels like a metaphor for the film itself.

To be fair, it’s more than just the premise of that joke itself, it is also the execution. The opening section of Thunder Force offers something of an origin story for its two lead characters, Lydia and Emily. The two meet at school. At school, their only other friend is a geeky kid named Clyde. In these flashbacks, Clyde is introduced with an obvious crush on Lydia, and an inability to tell a joke properly. When the film rejoins Lydia in adulthood, Clyde is quickly reintroduced and still unable to tell a joke properly.

A thundering disappointment.

The basic law of comedy – or storytelling – would suggest that this is a plot point being set up so that it might pay off. It is the standard “rule of three.” A concept is introduced to the audience. It is then repeated to establish it. Then, finally, it is subverted. It is that third iteration of the concept that serves as a punchline. It’s the heart of the joke. Instead, Clyde just disappears from the film. His inability to tell a joke is ultimately just an inability to tell a joke. It eats up screentime in building this world, and doesn’t go anywhere.

There’s something almost fourth-wall-breaking in this. It’s a joke about how a character in this movie cannot tell a joke, told in such a way that it isn’t really a joke either. It’s a moment that captures so much of Thunder Force, albeit in an unflattering light. It is also, much like the rest of Thunder Force, painfully unfunny.

The script could use a punch-up.

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Non-Review Review: Enough Said

Enough Said is a charming little romantic comedy starring Julia Louise-Dreyfuss as Eva. Eva is a divorced parent who finds herself in the relationship with another charming divorcée, navigating the difficulties of dating-after-marriage and trying to come to terms with her daughter’s impending departure to attend college. Through what another character describes as “an unbelievable coincidence”, our protagonist finds herself in a delightfully awkward romantic situation, trapped between two people very close to her.

Enough Said owes a debt to the classic romantic farce – the comedy of errors and manners – but the humour here is a lot more focused and character-driven. Once the plot becomes clear, it seems like Enough Said might devolve into a slapstick comedy about timing and awkward double entendres, but it’s to the credit of writer and director Nicole Holofcener that the film instead remains tightly focused on Eva and the people around her.

Stepping up...

Stepping up…

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