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Monkey Business: Could Andy Serkis Win An Oscar?

Okay, I think we all know the answer is “no.” I thought better than to try to pretend there was the slightest hint of even a nomination. However, considering some of the chatter around Serkis’ performance in the superb Rise of the Planet of the Apes, I can’t help but wonder if the Academy will everrecognise motion-capture performances with acting nominations. After all, where does the line end between the performance of the actor, and the special effects work put in by the technical team?

Serkis folk...

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Non-Review Review: Rise of the Planet of the Apes

Why would have thought that a monkey rebellion could be the stuff of great tragedy? That, in a Simian  revolt, we may yet see the best and the worst of ourselves reflected back? The leading monkey of the piece is named for Shakespeare’s Julius Caesar, but its to the credit of Rise of the Planet of the Apes that it evokes a wonderfully powerful observation repeated many times throughout both history and fiction, perhaps best articulated by Ghandi, “We are the architects of our future, not its victims.” I think we’ve come a long way in how we use computer-generated imagery in cinema, and I would suggest that Rise of the Planet of the Apes stands as something of a signpost. For the CGI Caesar stands as one of the most tragic and compelling protagonists of the year, in a film that manages to cut to the heart of a franchise in the way that decades of sequels and prequels and a remake could only dream of. It’s undoubtedly the best film to include the words “Planet” and “Apes”in the title since Charleton Heston had a mental breakdown on a beach.

I don't have no time for no monkey business...

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Non-Review Review: Burke & Hare

I quite like black comedy. There’s definitely a place for the more bitter strain of humour on the big screen, and there’s no denying that the British do black comedy wonderfully – it’s like a national trait of some kind. However, there’s something even deeper and more unpleasant than the black comedy at the heart of Burke & Hare. As I watched it, I couldn’t quite get the fact that it was based on two very real serial killers who (to this very day) have made a lasting impact on Scotland’s political and social history. There’s something very trite about turning their story into a black romantic comedy with a soundtrack from The Proclaimers.

They haven't a leg to stand on...

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