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409. Alien Covenant – All-ien 2024 (#—)

Posted on February 2, 2025 by Darren

Hosted by Andrew Quinn, Darren Mooney and Jess Dunne, this week with special guest Peter McGann, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Ridley Scott’s Alien: Covenant.

The colony ship Covenant is on its way to a new home world when a freak accident knocks the ship off course. However, while conducting repairs, the crew pick up a strange distress call from an alien planet that seems too good to be true. Seeing a potential opportunity, the crew decide to explore this strange new world. There, they find horrors beyond imagining.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: alien franchise, alien: covenant, Andrew Quinn, creation, creativity, Darren Mooney, destruction, dual role, female representation, genre narratives, imdb, jess dunne, manipulation, Michael Fassbender, peter mcgann, podcast, Prometheus, ridley scott, The 250, themes | Leave a comment »

Non-Review Review: Alien³

Posted on July 5, 2010 by Darren

Alien³ is generally regarded as an inferior Alien film, and the start of a slippery slope that would lead us through Alien: Resurrection into Aliens vs. Predator and even Aliens vs. Predator: Requiem. It’s also regarded as something of a hiccup in the career of David Fincher, and an example of how meddling from greedy corporate executives can potential derail the rise of a young talent. That’s a lot of pressure for a single film to carry – particularly one which has enough trouble standing on its own two feet. However, I am quite fond of this particular incarnation of the franchise. Not enough to call it a “classic” or even “great”, but enough to argue that it was a relatively brave and ultimately valid experiment for the franchise – much more so, arguably, than the fourth film.