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Stories That Mattered: Essential Stories From DC Comics’ 75 Years

We’re a bit late to the party, but this week we’ll be celebrating the 75th anniversary of DC Comics, with a look at the medium, the company and the characters in a selection of bonus features running Monday through Friday. This is one of those articles. Be sure to join us for the rest.

It’s been 75 years since DC burst on the scene. I don’t imagine too many of the suits behind the scenes expected it to last quite this long. The wonderful folks over at io9 came up with a 75-book list of essentials and it’s a pretty good list, but it’s heavily toned towards “important” narratives rather than “good” narratives. It’s a fair distinction. Comic books are a young medium, and – being frank – most of the early writing sucks. The Golden Age Batman and Superman narratives were semi-decent stories (in many ways better than those that followed), but the truly awful dialogue makes them nigh impossible to read. I thought I’d just put together a list of some of the highly recommended DC stories I’ve picked up over the years.

Definitely important... not so sure it's essential...

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The Twilight of the Superheroes?

We’re a bit late to the party, but this week we’ll be celebrating the 75th anniversary of DC Comics, with a look at the medium, the company and the characters in a selection of bonus features running Monday through Friday. This is one of those articles. Be sure to join us for the rest.

Earlier in the week, I wondered if the dominance of the comic book medium by superheroes was affecting the general  perception of the relatively young medium. Is the time of the superhero long gone?

Some characters take this "superheroes as pagan gods" schtick a bit too seriously...

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Comics for Grown Ups?

We’re a bit late to the party, but this week we’ll be celebrating the 75th anniversary of DC Comics, with a look at the medium, the company and the characters in a selection of bonus features running Monday through Friday. This is one of those articles. Be sure to join us for the rest.

Comic books are what Neil Gaiman once famously described as “the medium that’s always confused with a genre”. The fact that they are typically populated with spandex-wearing superheroes has led to a bit of a pop culture stigma around the medium, as stories about grown men in their underwear pounding each other are the only stories that could be told in that format. Anyone even loosely familiar with the history of the genre will know better, but I’ve always imagined comic books having a hard time fitting in to popular culture in the same way that books or film or television do. So can comic books ever really draw in that elusive adult audience?

Smoking? In a comic book? That will not stand!

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Superman: Red Son

Look! Up in the sky! It’s a bird! It’s a plane! It’s Superman! Superman: Strange visitor from another world! Who can change the course of might rivers, bend steel in his bare hands and who, as the champion of the common worker, fights a never-ending battle for Stalin, socialism and the international expansion of the Warsaw Pact.

Let out enemies beware: the is only one super-power now.

– Russian propaganda broadcast

I’ve remarked before, and many others have remarked as well, that Superman is a very tough character to write for, particularly after seventy years of publication. This is a fact reflected by the difficulty even comic book aficionados have in picking the iconic Superman stories – the essential collections, as it were. Undoubtedly Alan Moore’s work on the character would be collected (handily in Whatever Happened to the Man of Tomorrow?), as would Grant Morrison’s All-Star Superman. I’m fairly sure that this collection would also make the shortlist. As far as interesting and insightful takes on the character go, Mark Millar has what might be termed a “doozie” here: what if Superman had landed in Russia? What if instead of fighting for “truth, justice and the American Way”, he fought for Mother Russia? It’s certainly an intriguing idea, and Mark Millar’s execution is near-flawless as well.

Well, of course the balloon is red...

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Could Kick-Ass Be a Cinematic Watchmen?

Okay, I think we were all a little disappointed with Watchmen. Although the use of that word seems unfair. The book defined the comic book superhero genre in a way that bled into film long before the movie was made. Zach Snyder’s work seemed… redundant. Watchmen had influenced the comic books that came after and they had influenced the movies. If anything, the movie adaptation seemed much less mature and developed than the previous year’s Batman blockbuster – The Dark Knight. Publicity and reviews for this year’s Kick-Ass are beginning to emerge and it seems like it’s all good, so far. The film, along with Shutter Island, was the runaway hit of Butt-Numb-A-Thon this year, a sort of geeky Sundance. It’s an interest look at what “real” superheroes would look like, and part of me wonders if this is movie will end up being what Watchmen should have been?

Nicolas Cage's moustache could kick your ass...

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Alan Moore’s Run on Swamp Thing – Saga of the Swamp Thing (Books #1-2)

Before Alan Moore was the superstar writer of The League of Extraordinary Gentlemen, V For Vendetta, Watchmen or even From Hell, he was a writer at DC Comics. While he wrote some truly fantastic Superman stories (collected in the well recommended deluxe edition of Whatever Happened to the Man of Tomorrow?), he was most famously associated with a run on Swamp Thing. When he took over writing duties on the title, Swamp Thing was a series on the verge of cancellation. Which meant that he had a huge amount of freedom to work on the title, with the capacity to do just about anything he wanted.

It isn't swamped with continuity...

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Non-Review Review: Watchmen (Theatrical Cut)

Probably the best we could have hoped for. Which is a guarded compliment at best. The movie has several gaping flaws, both as an adaptation of Alan Moore’s seminal work and also as a film in its own right. And yet it contains more interesting ideas than most prestige dramas, and at least two standout performances. The film is widely inconsistent, sometimes feeling too long in its gratuitous acton or sex scenes, but too short on the actual big ideas that make it thought-provoking. Ultimately, what ties the film down is also what props it up, in a manner: the fact that it is based on one of the most important books of the last quarter century.

Just the three of us...

Just the three of us...

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Absolute Batman: The Dark Knight (Returns) (Review/Retrospective)

The Absolute Edition also collects The Dark Knight Strikes Again. Miller’s belated sequel is worthy of discussion on its own terms, and I plan to revisit it at some point. For the moment, however, here is the review of the original Dark Knight Returns.

It’s really quite difficult to discuss The Dark Knight Returns today. Part of the reason is because of the massive influence that Frank Miller’s Batman epilogue had on the medium, and part of it is because Miller himself has done a fairly efficient job at deconstructing his own definitive Batman work in stories like The Dark Knight Strikes Again and All-Star Batman and Robin the Boy Wonder. It’s impossible to approach Miller’s work here entirely divorced from either reality, and the result is a rather strange and dramatic legacy for one of the most iconic Batman stories ever told. It remains fairly essential reading for anybody even remotely interested in the Caped Crusader, the superhero genre or even the medium as a whole. It’s a classic, albeit one that is sometimes quite difficult to pin down.

Lightning strikes…

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The Killing Joke

Hmm… Understandably quite a controversial comic (Alan Moore himself reportedly has very little time for it), The Killing Joke remains the most definitive comic to examine the dynamic between the Caped Crusader and his polar opposite. It also reveals a bit of twisted logic to the character, providing an almost logical motivation for his countless heinous actions. It also features some of the best artwork that you are liable to see on a Batman comic.

The Joker didn't get he was meant to bleach his HAIR...

The Joker didn't get he was meant to bleach his HAIR...

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Whatever Happened to the Man of Tomorrow?

Released in a Deluxe Edition hardback format to compliment Neil Gaiman’s farewell to the Caped Crusader, this collection of Alan Moore Superman stories is a pretty cool purchase, and one significantly better than the Batman equivalent it is published alongside. A fond goodbye to the Silver Age of Superman (and comics as a whole), it reads fantastically well in retrospect as a goodbye in many ways to the innocence of the earlier superhero four-colour tales. The fact that it’s accompanied by arguably an even better Superman story is just icing on the cake.

"I can't stand to fly..."

"I can't stand to fly..."

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