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Non-Review Review: What Richard Did

The latest film from Lenny Abrahamson is a solid slow boil moral and psychological drama. It treads well-worn ground, exploring the relationship between guilt and entitlement, but does so in a relatively charming way, navigated by Abrahamson’s solid direction and a great central performance from Jack Reynor. However, it’s hard not see this as a variation on a familiar story, one we’ve seen rendered in an American and a British context quite often. Malcolm Campbell’s overly melodramatic script never quite manages to ground to film in a particularly Irish setting, despite the posh Blackrock background and the occasionally recognisable landmark. Even the title change, eschewing the novel’s Bad Day in Blackrock for a more generic What Richard Did seems to try to broaden the scope of the film, losing a lot of the more potentially fascinating avenues that could be explored.

More than his ego is bruised…

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The Picture of Dorian Grey at the Abbey Theatre (Review)

Neil Bartlett’s take on The Picture of Dorian Grey sounds like it might be a good idea on paper, but it doesn’t really come off in the execution. Oscar Wilde’s dark and sinister gothic horror has a timeless quality to it, but Bartlett’s interpretation of the material seems a little too shallow. Given the subject matter, you could argue that’s a good thing, but it sadly doesn’t make for the most satisfying of results.

Shades of Grey…

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The Punisher by Rick Remender Omnibus (Review/Retrospective)

Rick Remender’s Punisher is a fun run. It’s not the most important or iconic take on the character, nor is it the writer’s best work at Marvel (or in the industry as a whole). It’s disjointed, it’s awkwardly paced, it seems to resolve itself merely because Remender was moving on to another title, but it’s also fun, exciting and interesting. Somewhat akin to Jason Aaron’s Ghost Rider work, it’s a great writer cutting lose with a grindhouse character and concentrating on telling a tale that is entertaining rather than definitive. In many respects, Remender’s Punisher really shouldn’t work half as well as it does, and that’s certainly a testament to the writer’s skill.

Here there be monsters…

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Watch! It’s Neeson Season!

To celebrate the release of Taken 2, the guys behind Silence! The Musical – a musical adaptation of The Silence of the Lambs – has released this rather brilliant musical compilation of Liam Neeson’s greatest moments. (Jon and Al Kaplan are also some of the best pop cultural musical minds out there – I adore 24: The Musical, a pitch-perfect musical adaptation of the second season of the show.) By the way, “Neeson season” totally needs to be a thing. Like between blockbuster season and Oscar season.

Anyway, enjoy.

A View to a Bond Baddie: Dr. Julius No

‘To celebrate James Bond’s 50th birthday on screen, we’re going to take a look at the character and his films. We’ve already reviewed all the classic movies, so we’ll be looking at his iconic baddies, and even at the character himself.

In many ways, Dr. No feels like a rather strange first instalment for a franchise that has managed to persist from half a century. Many of the trademarks we associate with the series are absent. There’s no pre-credits sequence. No powerful theme song involving the title of the film. Even the music playing over that iconic gun barrel shot sounds weird. There are no gadgets and gizmos, save for a Geiger Counter. The movie’s iconic Bond girl, Honey Rider, only shows up past the mid-point of the film.

As such, it’s amazing that the Bond villain emerged almost fully formed, with Dr. No providing perhaps the archetypal James Bond baddie.

He didn’t spend 6 years in evil physics school to be called “Mister”…

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Non-Review Review: Batman/Mr. Freeze – SubZero

Surprisingly, not all films featuring Mr. Freeze are terrible. Batman/Mr. Freeze: SubZero doesn’t quite live up to the best of the animated Batman movies or even animated television shows, standing in the shadow of both Mask of the Phantasm and Return of the Joker, but it’s still a surprisingly solid adventure that offers a much better showing for the Caped Crusader than either of the Joel Schumacher Batman movies.

Things are heating up…

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The Six Faces of 007: George Lazenby

To celebrate James Bond’s 50th birthday on screen (and the release of Skyfall), we’re going to take a look at the character and his films. We’ve already reviewed all the classic movies, so we’ll be looking at his iconic baddies, and even at the character himself.

George Lazenby stands out as perhaps the strangest on-screen Bond. He only appeared in a single film before retiring from the role, shortly before the premiere, causing such a crisis that the studio paying a huge amount of money to re-hire Sean Connery for Diamonds Are Forever. His one film, however, stands out as one of the very few movies in the series to give the character Bond a logical character arc, and On Her Majesty’s Secret Service remains one of the most polarising films in the series. I actually think that Lazenby’s tenure is perhaps the one that lends itself best to the “multiple Bonds” theory, as he plays the version of the character harder to reconcile with the other portrayals.

And not just because of that awkward line that closes the opening sequence. There’s a lot here that never happened to the other fellas.

Washed up?

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Severed by Scott Snyder, Scott Tuft & Attila Futaki (Review)

Severed is a distinctly American horror story, feeling like something of a companion piece to author Scott Snyder’s American Vampire or even the work of Stephen King. Set during the dark days of the first world war, it’s an exploration of the darker side of the American Dream, to the point where it’s quite telling that our narrator refers to the anonymous villain merely as “the Nightmare.” It’s rich, sophisticated and atmospheric storytelling, a modern American fable co-written by Scott Tuft and with bone-chilling illustrations from Attila Futaki that are sure to unsettle.

Not too far afield…

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Doctor Who: The Angels Take Manhattan (Review)

The decision to build Steven Moffat’s third season of Doctor Who around a series of done-in-one stories has been a bit of a mixed blessing. Asylum of the Daleks was suitably madcap Saturday tea-time telly, and A Town Called Mercy was an affectionate homage to Americana, but Dinosaurs on a Spaceship barely had room to breath, overloaded on cool moments with little room left for plotting.

The Angels Take Manhattan suffers the most from this sense that it is being compacted. Watching the episode, it feels like Moffat is trying to cram too much story into a single forty-five minute episode. It makes the viewer long for the days when Russell T. Davies would gleefully run his episodes over the allocated forty-five minute slot. Here, Moffat’s big high-concept “timey wimey” ideas and his farewell to his two companions eating up so much of the run-time that the plot itself still feels like an afterthought, running on contrivance and coincidence rather than anything more substantial.

That doesn’t mean it isn’t an affective farewell to Rory and Amy, or that it doesn’t draw fantastic performances from its central quartet, but it does mean that The Angels Take Manhattan is never quite as sturdy as it should have been.

A walk in the park…

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Justice League Unlimited – Epilogue (Review)

At the time Epilogue was written, the creators didn’t know that Justice League Unlimited would get another season. The show ultimately got another year on television, but Dwayne McDuffie and Bruce Timm constructed Epilogue so that it would serve as something of a coda to the entire animated DC universe, stemming as far back as On Leather Wings. It actually works almost perfectly, bringing everything a full circle. Justice League and Justice League Unlimited consciously pushed Batman to the periphery, which made a bit of sense. After all, the character had anchored two shows already. However, Epilogue moves Batman back to the centre, re-establishing Bruce as the core of the animated DC universe and giving him a (mostly) happy ending a few years before The Dark Knight Rises would do the same thing.

One final spotlight on Batman…

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