the m0vie blog

IT: Chapter Two is muddled, messy and bloated, particularly in its middle stretch.

The horror sequel opens relatively strong and delivers a satisfying emotional pay-off. Unfortunately, the film’s structure means that it meanders wildly between those two fixed narrative points. Chapter Two runs a muscular two-hours-and-fifty-minutes, a full quarter-of-an-hour longer than the original film’s already impressive run time. In fact, taken together, the two films are more than one-and-a-half times the length of the early nineties miniseries adaptation of the novel. Chapter Two spends a lot of time on repetitive storytelling beats, splitting up the cast so each of the leads has their own identically-structured adventure.

Glowing, glowing… gone.

These structural flaws feel inevitable. Part of what worked so well with IT: Chapter One was the decision to largely eschew the complicated and convoluted mythology that King wove through his beloved doorstopper of a novel. The original film was not concerned with alien invaders or local legends beyond what was strictly necessary, allowing it to offer an extended horror movie riff on Stand by Me, a coming-of-age saga about young teens on the cusp of adulthood. In Chapter Two, that bill comes due. The sequel not only has to do its own heavy lifting, but take on a lot of the world-building the original film mostly ignored.

Indeed, there is a sense that Chapter Two works much better as a companion piece to the earlier film than as a narrative in its own right. Indeed, there is something interesting in the way that, taken as a whole, the two IT films represent the first real cinematic glimpse of Stephen King as an author of the American epic. IT is the story of a group of childhood friends facing a monstrous evil, but it feels much larger than that. Perhaps the most compelling thing about Chapter Two is the manner in which it creates a sense of scale and scope that has previous eluded adaptations of King’s work.

Pennywise, pound foolish.

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