• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Harsh Realm – Camera Obscura (Review)

This November, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

And so, with Camera Obscura, it seems that Harsh Realm comes to an end

The show had been developed as a television series for the new millennium; all involved had great plans for it. Fox had made no secret of the fact that they planned for Harsh Realm to take pride of place in their schedule going forward. The assumption was that it would replace The X-Files after that juggernaut was retired. There was a lot of hype around the development, a lot of excitement about the new show from producer Chris Carter. Harsh Realm was to be the first of many new shows developed by the producer as part of a highly lucrative contract with Fox.

Burning down the House (of God)...

Burning down the House (of God)…

Sadly, it did not work out that way. Harsh Realm had premiered to low ratings. Fox shuffled it off the schedule after only three episodes, which seemed a knee-jerk response given the talent involved in the show’s production. The six remaining episodes were locked away from the light of day, relegated to premiering on FX at the tail end of that season of television. For all that everybody involved had hoped that Harsh Realm would be a breakout hit, it ended up little more than a footnote.

Here, it dies. After nine episodes aired across two channels over seven months, the curtain comes down on Harsh Realm. It ends not with a bang, but a whimper.

Time for reflection...

Time for reflection…

Continue reading

The X-Files – Je Souhaite (Review)

This September, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

The late seventh season has something of a twilight quality to it.

Even the show’s production staff are unsure whether the show will be coming back for an eighth season, so every episode takes on a special significance. Could this episode be “the last time that…”? Is Brand X the last time that the show does a traditional monster of the week? Is Hollywood A.D. the last time that David Duchovny writes and/or directs? Is Fight Club the last time that Chris Carter writes a non-mythology episode? Is Je Souhaite the last time that Mulder and Scully just investigate a weird standalone case together? There is a weight to it all.

"I'll drink to that."

“I’ll drink to that.”

Of course, the show would come back for an eighth season. There would be lots of traditional monster of the week stories after Brand X. David Duchovny would enjoy another story and directorial credit after Hollywood A.D. Chris Carter would get to write non-mythology episodes after Fight Club, and even get to direct a much more successful whimsical adventure. Mulder and Scully would get to hang out together in the late eighth season and even at the very end of the ninth. In a very real way, this is not the end.

However, in an equally real way, this is the end. It has become hyperbole to suggest that something “… will never be the same again.” Even The X-Files has reinvented itself at least twice by this point, at the start of the third and sixth seasons. However, it is also perfectly reasonable to argue that The X-Files actually will never be the same again. The show changes on a very fundamental level after this point, with Je Souhaite serving as the very last glimpse of the show as it was. In many ways, this is the end of the road.

"So... meet up in about fifteen years?"

“So… meet up in about fifteen years?”

Gilligan would get to write and direct another episode of The X-Files before the show finally came to an end. In fact, there are a few thematic similarities between Je Souhaite and Sunshine Days, with both stories serving as affectionate and romantic finalés to Vince Gilligan’s version of The X-Files. There are still two full seasons ahead. Indeed, it is interesting to wonder what it would be like had Je Souhaite come earlier in the season, or even during the sixth season; it would be a light and fun episode, but would have the same heft and weight?

However, there is something different about Je Souhaite. In hindsight, it feels like a snapshot of an extended (seven-year-long) moment coming to end; it is a picture in an photo album that captures Mulder and Scully right on the edge of a transition. It is innocuous, yet profound. It is a picture of college friends sharing a drink at the end of the last term, unaware (or silently aware) of how things will change in the coming months. It is a picture of friends just hanging out before one gets married or has children.

"I am outta here!"

“I am outta here!”

Of course, Mulder and Scully see each other after this point; there is the second half of season eight and the revival hanging in the future. (To say nothing of The X-Files: I Want to Believe or the comics.) College buddies still hang out. People with families maintain friendships. Still, those dynamics change. They are never quite the same. Not better, not worse. Just different. As weird as it is to describe an episode where Mulder encounters a genie as “the point before things got weird”, that’s exactly what Je Souhaite feels like.

What is most striking about Je Souhaite is how much the episode accepts that reality. It is not morose or melancholy; it is practically celebratory. Instead of eulogising the good times, it decides to have a good time. There is something very sweet about that.

"I'm still here for two seasons..."

“I’m still here for two seasons…”

Continue reading

Harsh Realm – Cincinnati (Review)

This November, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

Cincinnati finally gives Terry O’Quinn something to do.

Despite the fact that O’Quinn is credited as a series regular on Harsh Realm, he has appeared about as frequently in the first nine episodes as he did during the equivalent episodes of Millennium. With his “and…” credit at the end of the opening title sequence, it felt like O’Quinn might be forgotten by the show. His face might appear on posters and propaganda, but he was not going to play a particularly dynamic role in the events of the first season. After all, Hobbes is trying to assassinate Santiago; there are reasons why the writers would want to keep them separate.

Walk softly, but carry a big stick...

Walk softly, but carry a big stick…

Nevertheless, Cincinnati is a story that unfolds from Santiago’s perspective. Hobbes and Pinochio play a major part in unfolding events, but they largely reacting. The bulk of Cincinnati concerns a conflict between Santiago’s forces and the Native American population of Ohio. When a military strike goes horribly wrong, Santiago is forced to survive on his own terms. He infiltrates the eponymous city and sets about furthering his own agenda with ruthless efficiency.

A lot of Cincinnati is pure nonsense; the plot is barely held together by contrivance and coincidence, hinging on a final twist that manages to be both obvious and completely unearned. At the same time, it is hard to hate an episode that is carried by Terry O’Quinn and offers the actor a chance to sink his teeth into a juicy part.

It's all in ruins...

It’s all in ruins…

Continue reading

The X-Files – Fight Club (Review)

This September, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

Fight Club is an unpleasant episode of The X-Files.

It’s not “unpleasant” in a good way, like (arguably) Signs and Wonders or (definitely) Theef. It is “unpleasant” in a way that feels ill-judged and tone-deaf. Following on the charm and whimsy of Hollywood A.D., the script for Fight Club seems packed with forced charm and staged whimsy. At its most basic level, Fight Club is a comedy episode that simply isn’t funny. More than that, it’s an episode that isn’t particularly funny or clever to begin with, but then spends forty-five minutes insisting upon its own wit.

"Some of us are looking at the stars..."

“Some of us are looking at the stars…”

There is also a sense of unpleasantness about the themes and content of the episode in the context of the late seventh season. After all, it is no secret that the production team were facing considerable internal and external pressure. These pressures included a lawsuit involving the show’s lead actor and the show’s creator (not to mention the show’s network) and the fact that everybody on the production team was waiting for David Duchovny to determine if they would have a job the following season.

With all of this going on in the background, maybe an episode the implicitly features the show’s two lead actors knocking the stuffing out of each other for no good reason is not the best idea in the world.

"Hm..."

“Hm…”

Continue reading

Harsh Realm – Manus Domini (Review)

This November, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

Manus Domini continues the influx of assistance from the writing staff on The X-Files, with John Shiban contributing a script to the first season of Harsh Realm.

Manus Domini is a very strange episode. In a way, it feels more keenly aligned with the sensibilities of Chris Carter than those of John Shiban. It is the most overtly religious episode from the short run of Harsh Realm, with characters contemplating faith and spirituality in an otherwise cruel world. It is the logical continuation of themes seeded and developed across the rest of the season, bringing the religious subtext of the show to the fore so that it might be acknowledged and explored.

Florence in the machine...

Florence in the machine…

To be fair, there are elements that fit comfortably within Shiban’s oeuvre. Shiban is very much a fan of classic horror tropes, so it makes sense that his script should feature a monstrous supporting character whose complete moral decay is symbolised through grotesque facial deformities. (The element recurs in Camera Obscura, but is not as pronounced as it in this episode.) There are elements of Manus Domini that feel like they might have been lifted from classic seventies horror.

Nevertheless, Manus Domini is defined by its religious components, making it clear that the show retains the same core moral perspective that runs through Carter’s work; there is a recurring sense that faith and spirituality are essential to survive and endure in an increasingly faithless world.

A literal mine field...

A literal mine field…

Continue reading

The X-Files – Hollywood A.D. (Review)

This September, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

And now as we drift off the laughing agents and back to the graveyard , we see the Lazarus Bowl lying discarded beneath a tree.

A SWITCH, a broken tipped branch of the tree gets blown by the fan’s wind force down toward the plastic grooves of the replica as we move down toward it, we can read a “MADE IN ISRAEL” sticker on its bottom – the branch reaching toward the plastic,  like a woman’s arms to her lover —

Close on the splintered wood making contact on the colored plastic like a phonograph needle on vinyl —

And now MUSIC COMES UP – scratchy like an old record, the fourth track from BUENA VISTA SOCIAL CLUB, in a superior interpretation rendered by Mark Snow, called “PUEBLO NUEVO” – a beautiful stately cha cha instrumental —

We pull back wide as APPARITIONS appear to rise from their graves, rotting, but standing at atte ntion and then —

When the music kicks in, they begin to dance, all of them, in the round – dignified, changing partners… we hear the bones creaking, we see the gentlemanly half skulls smiling…

And now by the magic of Bill Millar & Co., the GREEN SCREEN becomes the rest of a HUGE GRAVEYARD with corpses dancing  stately and dignified upon it as we begin a slow pull out to a heavenly perspective…

This is what life’s about. This is what the dead would do if only they could. As we slowly fade to black, the band plays on.

And we end.

 – David Duchovny takes his bow

Everything ends.

Everything ends.

Continue reading

Harsh Realm – Three Percenters (Review)

This November, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

Three Percenters is written by Frank Spotnitz.

Spotnitz is the longest serving staff writer on The X-Files, with the exception of Chris Carter. He worked with Carter in shaping and defining the mythology, sharing credit on some of the biggest episodes of the series. He is credited as a screenwriter on both The X-Files: Fight the Future and The X-Files: I Want to Believe. He is the only writer apart from Carter to work on all Millennium, Harsh Realm and The Lone Gunmen. As such, Spotnitz is an essential part of the Ten Thirteen family.

Talk about finger food...

Talk about finger food…

Spotnitz has a very clear of structure. Working on The X-Files, he was renowned for his ability to “break” a story, to split it down to its constituent elements and to make it make sense. His first credit on The X-Files was the script for End Game, which was a hugely important part of shaping and defining the mythology of the show. His two scripts for the first season of Millennium (Weeds and Sacrament) capture the spirit of the show in that moment in time, for better and for worse. It makes perfect sense for Spotnitz to script a first season episode of Harsh Realm.

However, Spotnitz’s script for Three Percenters perhaps demonstrates one of the problems with these initial nine episodes. Spotnitz is very good at understanding story structure and logic, but Harsh Realm doesn’t really have a set formula or template that he might be able to apply. Five episodes into its run, the show hasn’t settled into a grove in the same way that Millennium or The X-Files had. This perhaps explains why Three Percenters feels so odd and uneven; it occasionally seems like Spotnitz just pasted over a template from The X-Files itself.

Walking on water...

Walking on water…

Continue reading

Harsh Realm – Reunion (Review)

This November, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

So that in the first place, I put for a general inclination of all mankind a perpetual and restless desire of Power after power, that ceaseth only in Death. And the cause of this is not always that a man hopes for a more intensive delight than he has already attained to, or that he cannot be content with a moderate power: but because he cannot assure the power and means to live well, which he hath present, without the acquisition of more.

– Thomas Hobbes, Leviathan, The First Part, Chapter XI

Reunion continues the sense that Chris Carter envisioned Harsh Realm as something of an allegorical episodic adventure series through a post-apocalyptic reflection of contemporary America.

Carter quite clearly wanted to use Harsh Realm as a vehicle to explore and comment upon certain aspects of the American experience. Inga Fossa touched on the links between projected masculinity and violence; Cincinnati will find Santiago’s “manifest destiny” brushing up against the country’s Native American population. Even scripts like Three Percenters and Manus Domini feel tied into Carter’s large oeuvre, touching on the writer’s recurring fascination with homogeneity and spirituality in the modern world.

Things come to a head...

Things come to a head…

Reunion is very consciously a critique of excessive and abusive capitalism, presenting a vision of America built upon the economics of slave labour reinforced by the rhetoric of freedom and competition. In some respects, Reunion feels like Harsh Realm is channelling the spirit of classic science-fiction television like Star Trek or The Twilight Zone. Its central allegory is hardly subtle, but there is a goofy charm in carrying these ideas well past their logical extremes. The vision of labour presented in Reunion is grotesque and exaggerated, but it is not completely fantastical.

Reunion also reaffirms the link that exists between the digital world and the real world, suggesting that perhaps the world that we inhabit is not as far removed from the horrors of the virtual reality as might hope.

Family matters...

Family matters…

Continue reading

The X-Files – Brand X (Review)

This September, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

Watching the seventh season of The X-Files only reinforces the sense that the production team got extremely lucky with the casting of David Duchovny and Gillian Anderson. The chemistry between the two actors has carried more than a few weak scripts across the seventh season. Lighter shows like Rush, The Goldberg Variation and The Amazing Maleeni were all able to coast off the charm of the pair. It doesn’t matter that the plot resolution in an exposition dump from Mulder when you end on Scully attempting a magic trick. However, this works both ways.

It the seventh season coasts of the charisma of David Duchovny and Gillian Anderson, this means that their inevitable absences are keenly felt. As The X-Files had become more popular, the demand upon Duchovny and Anderson had grown greater; most obviously, the show had dropped its production order from twenty-four to twenty-two episodes. Even allowing for that, the show could no longer make the same demands of Duchovny and Anderson that it had made in the first four seasons. Nor could they simply produce less television.

Smoke 'em if you got 'em...

Smoke ’em if you got ’em…

As a result, there are points in the show’s run when either (or both) David Duchovny and Gillian Anderson are unavailable. There are extended periods of the final two seasons that do not feature David Duchovny in any significant capacity. However, even within the seventh season, there are episodes where both leads are unable to fill the narrative space allocated to the lead characters. Gillian Anderson was largely absent from Chimera while working on all things; David Duchovny was largely absent from all things while working on Hollywood A.D.

It is these absences which suggest an uncomfortable truth about The X-Files. The show might have its own chemical dependencies. In a metaphor stretched in an effort to tie it all back to Brand X, the audience might rely on Duchovny and Anderson as surely as a smoker relies on their quick nicotine fix. Any attempt to genetically reengineer the show to ensure a healthier and longer life could easily end up creating a monster.

Talk about a looming legal face-off...

Talk about a looming legal face-off…

Continue reading

Harsh Realm – Kein Ausgang (Review)

This November, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

So, what does an average episode of Harsh Realm look like?

After all, the show was cancelled after only three episodes had been broadcast. Those three episodes were all written by the creator, and formed something of a loose introduction to the show. Inga Fossa ended with our protagonist finally accepting his place in the virtual world and his mission to defeat General Omar Santiago before the dictator can destroy the real world. There is a sense that the show had yet to even demonstrate what a regular episode of Harsh Realm might look like. It was over before it had even begun.

Jumping into action...

Jumping into action…

Kein Ausgang is the first episode of Harsh Realm to be written by somebody other than Chris Carter. As such, it is an important milestone in the development of the series. It is also the first of two episodes written by Steven Maeda, who would prove to be a pretty reliable set of hands in the life of the young show. Based on his contributions to Harsh Realm, it is easy to see why Carter drafted Maeda over to The X-Files in the wake of Harsh Realm‘s cancellation, even if his contributions to that show were a little more uneven.

Kein Ausgang offers an interesting glimpse of what Harsh Realm might have looked like going forward, if Fox had waited more than three episodes to cancel the show.

Shining a light on it...

Shining a light on it…

Continue reading